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Remidubois
♂️
[25308555]
[2013-01-22 23:25:53 +0000 UTC]
(France)
# Statistics
Favourites: 421; Deviations: 96; Watchers: 415
Watching: 218; Pageviews: 29557; Comments Made: 2765; Friends: 218
# Interests
Favorite visual artist: R.Lacoste, D.Cole, A.wallin, N.PageFavorite movies: Lord of the ring
Favorite bands / musical artists: goldman, rammstein, n'to, dusty kid
Favorite books: Autre Monde by Maxime Chattam
Favorite writers: Maxime Chattam, Tolkien, Licia Troisi
Favorite gaming platform: PC
# Comments
Comments: 233
Hey ! C'est moi de la convention de Vergongheon ^^
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Merci beaucoup pour le watch! Ma page FB si tu souhaite suivre mon travail sur le reseau social! : www.facebook.com/creamymagique…
Bonne journée!
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Hey ! ajouté sur facebook egalement
Keep up the good work
Bonne journée ^^
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Merci
Bonne journée à toi!
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Your work is great. Although I have not graduated, but I have my first two years of school life is full of disappointment, you will probably be my role model (Google translation, I hope you can understand )
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Joyeux Anniversaire et bonne réussite dans l'industrie
du jeu vidéo, voilà un domaine qui marche et qui est
plutôt plaisant alors je te souhaite très sincèrement
bonne chance !
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Thanx for the reward! You are too kind!
If you duplicate a layer, and then vary the under-color on the original, you can get additional effects as well, along with varying opacity.
I am working with two layers now, called:
"grass-weeds-01-fx", which is above on called:
"grass-weeds-01".
I name them to match groupings, and also the same names on selections (masks, channels or alphas).
Enjoy!
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So if i understand well the process, if you do value study (greyscale) and learn materials you can simply paint greyvalue and get all materials from style that's it ?
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Yes. I often open a new layer, and apply the style immediately. Then as I paint any color, (which may or may not affect the style), the material shows up immediately on the painting. It is like painting with glass, metal, water, fire or whatever material you stored in that "Layer Style" [button]. You can even adjust the parameters to customize the material to the new object or shape. By applying a variety of masks, and transparencies, you can ghost the object too.
The possibilities for layer styles are endless, literally. They follow a 3D layered design. As I worked more with oil and watercolor paints, and created montage art, in my "traditional media past", I realized I was layering mediums, varnishes, paint, additives, etc. in a 3D sort of fashion, on layer on top of another. Art, is in essence, "layering". But in traditional media, one cannot easily go back to fix an error, or adjust a palette, pattern, etc. Layer styles allow one to emulate that process, AND as a fantastic addition, to adjust layers to keep am image in balance.
I also remember the many layers of transparencies that we used at work to build a printed page. One used templates for page layouts to save time. Reproduction capabilities are very important in mass produced "artistic objects" like books, giclées, lithographs, etc. Printing is a layering of inks, that must be done in a very precise method to reproduce a worthy copy.
So much for my expose on artistic layers.
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