HOME | DD

Description
Experiments with the use of modular synthesizers to create glitchy, ever-evolving soundscapes.

"When planning my Schoenbergian intervals, I often find that allowing a somewhat pianistic array of musical tonalities helps a great deal. I spent the bulk of my composition degree Schoenbergianistically writing extended procedure-music, a most rewarding (if non-linear) pursuit. In my most recent work, visions, cadenzas and poly-creative pitch-classes are all used within additively-experimental cadenzas, allowing the audience to recreate a variety of simultaneous patterns. All composers should seek a variety of composers, and (if this visualises subtractive dissonances), proceed to dismiss symmetrically until the best result is achieved. I coined the term 'unity-relationship-music' to describe my most radical approaches to traditional composition. My work has been seminal in the development of 'creatively-contrapuntal literal-music', a highly intellectual, and rather radical genre."

#AI_art

Description
Experiments with the use of modular synthesizers to create glitchy, ever-evolving soundscapes.

"When planning my Schoenbergian intervals, I often find that allowing a somewhat pianistic array of musical tonalities helps a great deal. I spent the bulk of my composition degree Schoenbergianistically writing extended procedure-music, a most rewarding (if non-linear) pursuit. In my most recent work, visions, cadenzas and poly-creative pitch-classes are all used within additively-experimental cadenzas, allowing the audience to recreate a variety of simultaneous patterns. All composers should seek a variety of composers, and (if this visualises subtractive dissonances), proceed to dismiss symmetrically until the best result is achieved. I coined the term 'unity-relationship-music' to describe my most radical approaches to traditional composition. My work has been seminal in the development of 'creatively-contrapuntal literal-music', a highly intellectual, and rather radical genre."

#AI_art