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Description
Creates a futuristic fusion of glitch, IDM, and ambient music.

"To decipher is a natural desire, but my current compositional activity seeks to re-contextualise all oscillations. It also senses and contextualises Schoenbergianistically-synthetic cadenza-approaches. Rather than Classically composing intra-additive meanings, I now prefer dominating sonic types of challenge, in conjunction with highly unique synergies. I was first introduced to the concept of 'stereophonically-ambiguous aria-players' last year, and it has allowed me a greater depth of movements, especially whilst abandoning the ultimate synergy. Working quadrophonically means that my focus is always texturally-based, and never isorhythmic. The unifying features of my output include the re-incorporating of frequencies as an element within the sculpture-contextualising process, and a constant use of the 'tritone-chord', in which integral riffs generate meaning. I never modulate sketches, despite the fact that any idiophone or linearity can be, and has been interpreted as a rather structuredly-pseudo-rhythmic set of 'orchestration-spacings'."

#AI_art

Description
Creates a futuristic fusion of glitch, IDM, and ambient music.

"To decipher is a natural desire, but my current compositional activity seeks to re-contextualise all oscillations. It also senses and contextualises Schoenbergianistically-synthetic cadenza-approaches. Rather than Classically composing intra-additive meanings, I now prefer dominating sonic types of challenge, in conjunction with highly unique synergies. I was first introduced to the concept of 'stereophonically-ambiguous aria-players' last year, and it has allowed me a greater depth of movements, especially whilst abandoning the ultimate synergy. Working quadrophonically means that my focus is always texturally-based, and never isorhythmic. The unifying features of my output include the re-incorporating of frequencies as an element within the sculpture-contextualising process, and a constant use of the 'tritone-chord', in which integral riffs generate meaning. I never modulate sketches, despite the fact that any idiophone or linearity can be, and has been interpreted as a rather structuredly-pseudo-rhythmic set of 'orchestration-spacings'."

#AI_art