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Description
The entrance to Fushimi Inari Taisha, the Senbon Torii is a way where the Torii gates are really closely set, effectively making this feel like a sort of tunnel
It's truly a beautiful sight, but I would definitely recommend going to visit in the early morning, as we got quite lucky with the amount of people there that day, but it was still kinda hard to get shots without many other persons in them (mid March 2020)

I originally thought I had oversaturated the image in post, but really, after taking a quick look at images of this specific place online, I was actually quite conservative and I'm confident that this is pretty true to the real shade of the vermillion paint
Most of the pictures I saw show these gates as bright red, and it's really not the case, they've got a warmer hue than just red (though they do change with age and exposure, that's just this part of the complex)

Shot on Fuji Superia Premium 400

Description
The entrance to Fushimi Inari Taisha, the Senbon Torii is a way where the Torii gates are really closely set, effectively making this feel like a sort of tunnel
It's truly a beautiful sight, but I would definitely recommend going to visit in the early morning, as we got quite lucky with the amount of people there that day, but it was still kinda hard to get shots without many other persons in them (mid March 2020)

I originally thought I had oversaturated the image in post, but really, after taking a quick look at images of this specific place online, I was actually quite conservative and I'm confident that this is pretty true to the real shade of the vermillion paint
Most of the pictures I saw show these gates as bright red, and it's really not the case, they've got a warmer hue than just red (though they do change with age and exposure, that's just this part of the complex)

Shot on Fuji Superia Premium 400