HOME | DD

DownLight — Starox reference

#fnaf #fivenightsatfreddys #five_nights_at_freddys #fnaffanart #fnafoc #fnaf_oc #fnafoccharacter #fnaf_oc_male #fnaf_oc_character
Published: 2019-08-31 22:24:08 +0000 UTC; Views: 1821; Favourites: 37; Downloads: 0
Redirect to original
Description With the help of my friends, I can finally introduce him and his story to you! Сomplete reference of Starox! Very proud of the character at the moment is the best character design which was created only by me (not counting history). At the same time and found him a voice that he usually talks. All I want to say again thank you very much for the kind words under the last post, I'm incredibly pleased! I have some plans for the character, so you will see the arts with him 

                                                                                         ✶⊶⊷⊶⊷❍⊶⊷⊶⊷✶

                                                                                                  Story: 

Gregory, the owner of the traveling circus, was jubilant. A few months ago, he ordered a batch of animatronics from the well-known company, ‹Afton robotics›, for his work, to diversify performances and facilitate the work of staff.. And now, not openep boxes with new wards, stood in front of him. The circus, which traveled all over America, was famous for the high quality of performances. They were stunning, sometimes even bordered not only on risk, but also on real danger, madness, and made the audience scowl their eyes in dismay. The circus was incredibly popular, through to the people performing there. Outside of performances, they happily talked with visitors, showed small tricks, told incredible stories and always smiled. Gregory, the director, was fully consistent with his brainchild. Charming, creative, purposeful (sometimes even too much), he brought everything to the ideal. 

The bright coating of robots in the light of the lamp in the tent shone, like the glaze on the gingerbread. Gregory inspected the mechanical artists, staring intently at the smallest details. The batch of animatronics was fully in line with his order. It's not for nothing that Afton's company, is so popular and is considered reliable. In the passport of each robot was indicated not only the weight, height and other characteristics that seem completely ordinary, but also the gender, name, personality of each robot. Artificial intelligence was built into them, which made it possible to bring their behavior as close as possible to reality. It'll be necessary to pay the engineers, they did a great job. 

The first animatronic that the director was thinking about was a magician fox who could receive visitors separately from the performances, being in a tent near the main tent. This robot, is Starox, was designed in dark blue tones, so that in the darkness of the magic ‹den› the small luminous parts stand out better. He'll be able to perform tricks more difficult than ordinary card tricks or moving objects from one glass to another. The risk of errors is minimal, and there will certainly be spectacular shows, after all, a robot with special skills can't not hit the public. 

Starox coped with the tasks set by Gregory, the audience was delighted. Everything that circus employees read in the passport turned out to be true: an open, talkative, adoring fox guests always pleased the audience with first-class tricks. The passport, of course, contained very important, but not all, information. 

Afton was a recognized genius, though with his skeletons in the closet. Although it'll be much more accurate to say ‹With skeletons in animatronics›. Each robot had a certain mechanism, allowing to lure children, and then kill them or deliver them to the owner. Starox had a claw that could put a child inside the body, a device that could simulate voices, and possessed hypnosis. Every day the people of Afton spent those inspection, it served as a sort of screen. During the testing of robots, children were taken out of them, not always alive, but animatronics never left the creator without prey. 

After staying in the city where the new artists were made, for several weeks, the circus began to curtail to move to the next city. Afton sent people for another inspection, ordering them to turn off the mechanisms to steal children. On the last day, Starox noticed a man in the crowd, and after that he looked into the tent to the magician. Always joyful in public, the fox seemed almost the same and out of performance, only as if he was a little extinct, becoming partly more irritable and incredibly calm. When the visitor greeted the robot nicely, the animatronic was just packing for the move. The melodic voice of a man pleasantly shimmered with all the colors in Starox's head, remaining in his memory. 

It was an Afton Robotics employee who was sent to a magician to disable dangerous functions. While he conjured over the robot and told something, he tried to remember with what intonation this person pronounces the words, then to reproduce it. The guy was definitely new, but he skillfully coped with the program. Starox knew that he might no longer be able to copy the voices of others, so he asked the person to leave this function, as well as the ability to hypnosis, so that the performances were brighter and not tell anything to Afton. Then the worker had already started disabling voice synthesis in the robot, so the fox would not have been able to perfectly imitate others, but he was afraid to refuse animatronics, which, if desired, could be torn to pieces, so he only affectionately agreed, leaving everything as it is, and said goodbye to Starox. 

After meeting with the guy, the fox did not find a place for himself, all out of performance, trying to imitate his voice. This was the first time that he saw what a person was saying in color. All his thoughts occupied the opportunity to get the same beautiful voice. Starox believed that since his speakers were in his head, in order to get the same intonation and the same color, he would have to get the right head. At first, this idea seemed crazy to him — he would never get his hands dirty, especially in the blood of people, but later animatronics began to visit such thoughts more often, forcing them to spend hours trying to repeat that same voice. 

But unsuccessfully. 

Then he began to look closely at people. And if their words were painted in any color, and were not black and white, like others, he was looking for an opportunity to remain alone with them in a secluded place. He nice talked with them, joked, partly even sucked at them, tried to please and gain their trust. All this so that later, when it gets dark, take a walk with them somewhere in the darkness, and then tear their head off with strong mechanical paws. Starox placed the received ‹trophies› inside the case, independently opening the wings and pushing the no longer working claw to the side. But the voice still did not work out the way the fox wanted to see him. 

The robot was incredibly clean, so after getting rid of the bodies and getting heads that didn’t fit, he tried to wash every inch of his body, both inside and outside. In the circus, no one suspected what he was doing, but people disappeared, and the right voice was still not there. Starox tried in vain to imitate the very perfect sound. The speaker wheezed fiercely and disobeyed. The fox was angry, forbade himself to shout, but the emotions created by artificial intelligence did not recede, as if turning into real, human ones. 

Starox understood: the sooner he gets a better voice, the sooner he can calm down and become himself again. But he will never get it. Because the man with whom his torment began, he killed in the same tent. Because the speaker will no longer be able to reproduce a clear, undistorted sound. So Starox never will be the same.
Related content
Comments: 0