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ItouKhai35 — Eden Perdido Y Esperanza
Published: 2011-02-17 08:22:59 +0000 UTC; Views: 768; Favourites: 15; Downloads: 0
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Description
Thai-based trainee "sorceresses", nicknames Chan(ชน, the skinny one) and "immigrant" Sacred Flower(พระมาลย์, the chunky, skull-clad one). Despite working with elements conflicting each other, they maintain a strong sisterhood, and their elements interestingly subdue themselves when they are together. A united dichotomy, kinda like Day and Night...
But why & how is Miss Flower an immigrant? Ah, not now...
Another foray into Dharmic creativity; I could have elaborated more on Chan's outfit but nevertheless, I'm very satisfied with this result, hope I could do more of this ilk in the future.
The stupa city in the background were based off the ruins of Buddhist Kingdoms Ayutthaya and Bagan.
「忘れるように成ったエーデンの希望」
タイ系の初心の霊界道者、チャン（やせる、蓮華の髪飾り）とシュエ・パン（ぽっちゃり、骨飾りを着る）です。相克する霊圧とエレメントを取り扱うことにもかかわらず彼女たちは姉妹におとら無い友情は強いです。
それでチャンとシュエが一緒に出会うの時、彼女たちの霊圧は珍しく戦わないことかも、日と夜みたい調和です。。。
あ、そしてシュエちゃんは何民族。
ネタはここまで。。。
これも「龍朗々」と一緒によく出来る絵ので最高に満足する鉛筆画と自身がある；“やっぱり素敵な東南文化たちだ！”と思うくらいでこんな方が大好き。
参考にパゴダ的廃墟都市は古代仏国たちの方、タイのアユタヤ王国とビルマのバガン国で由来しました。
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Comments: 7
AWESOME DETAILED BG XDDD
kyaaaa ~
teach me how to draw like that XD
sensei
👍: 0 ⏩: 1
Thanks~
Actually, I don't have a "specific way" of drawing backgrounds; here I copied some parts off of actual ancient architecture. (Google Bagan or Ayutthaya for photos of said ruins).
There are some hints though concerning "technique".
After the initial draft, I draw over the lines again, this time with more pressure (I draw pressing down hard with my mechanical lead). That is to finalize and make smooth the linework (embed it onto the paper so it remains when I erase the rough parts, kind of like engraving I guess XD).
For distant trees/foliage or small details, less pressure and gentle strokes. I do this only when I want a finalized pencil-lineart...
👍: 0 ⏩: 0
Muchas Gracias, Thank you so much!
👍: 0 ⏩: 1