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Naseeruddin Shah, (born July 20, 1950, Barabanki, Uttar Pradesh, India), Indian film and stage actor whose sensitive and subtle performances earned him critical acclaim and several prestigious awards.

Shah was trained at the National School of Drama and became one of the most-visible faces of the movement known as the New Indian cinema, or parallel cinema; New Indian cinema flourished in the 1970s and was defined by its more-realistic visuals and issue-driven filmmaking. He rose to prominence with his roles in Shyam Benegal’s Nishaant (1975), Manthan (1976), and Bhumika: The Role (1976) and then steadily consolidated his position as a respected star-actor. He came to be closely identified with New Indian cinema by way of his characteristically intuitive performances in Sai Paranjape’s Sparsh (1980), Saeed Mirza’s Albert Pinto ko gussa kyoon aata hai (1980), Govind Nihalani’s Aakrosh (1980), Mrinal Sen’s Khandhar (1984), Ketan Mehta’s Mirch masala (1987), and Girish Kasaravalli’s Mane (1991). Subtlety was Shah’s forte, even in stock roles in commercial Hindi films, notably in Subhash Ghai’s Karma (1986), in which he was pitted against the veteran Hindi film actor Dilip Kumar. Such films as Mehta’s Bhavni bhavai (1980), Kundan Shah’s Jaane bhi do yaaron (1983), and Benegal’s Mandi (1983) put on display his considerable comic talent.

Shah also appeared in Himmat (1996), Kasam (2001), Bombay to Bangkok (2008), and Maximum (2012), and he tried his hand at directing with the 2006 drama Yun hota toh kya hota. His later films included Zinda Bhaag (2013), John Day (2013), Dedh Ishqiya (2014), Finding Fanny (2014), Dharam Sakat Mein (2015), OK Jaanu (2017), Aiyaary (2018), and The Tashkent Files (2019). He acted in international productions such as Monsoon Wedding (2001), The League of Extraordinary Gentlemen (2003), and Today’s Special (2009). Shah’s performances onstage also drew praise. He later added television to his portfolio, with starring roles in the series Zero KMS (2018) and Bandish Bandits (2020– ).

Among his many honours were three Filmfare best actor awards, for his performances in Aakrosh, Chakra (1981), and Masoom (1983). He won a Volpi Cup at the 1984 Venice Film Festival for Goutam Ghose’s Paar (1984). For his contributions to Indian cinema, Shah was given the Padma Shri (1987) and the Padma Bhushan (2003), two of India’s highest civilian awards. His autobiography, And Then One Day, was published in 2014.

Description
Naseeruddin Shah, (born July 20, 1950, Barabanki, Uttar Pradesh, India), Indian film and stage actor whose sensitive and subtle performances earned him critical acclaim and several prestigious awards.

Shah was trained at the National School of Drama and became one of the most-visible faces of the movement known as the New Indian cinema, or parallel cinema; New Indian cinema flourished in the 1970s and was defined by its more-realistic visuals and issue-driven filmmaking. He rose to prominence with his roles in Shyam Benegal’s Nishaant (1975), Manthan (1976), and Bhumika: The Role (1976) and then steadily consolidated his position as a respected star-actor. He came to be closely identified with New Indian cinema by way of his characteristically intuitive performances in Sai Paranjape’s Sparsh (1980), Saeed Mirza’s Albert Pinto ko gussa kyoon aata hai (1980), Govind Nihalani’s Aakrosh (1980), Mrinal Sen’s Khandhar (1984), Ketan Mehta’s Mirch masala (1987), and Girish Kasaravalli’s Mane (1991). Subtlety was Shah’s forte, even in stock roles in commercial Hindi films, notably in Subhash Ghai’s Karma (1986), in which he was pitted against the veteran Hindi film actor Dilip Kumar. Such films as Mehta’s Bhavni bhavai (1980), Kundan Shah’s Jaane bhi do yaaron (1983), and Benegal’s Mandi (1983) put on display his considerable comic talent.

Shah also appeared in Himmat (1996), Kasam (2001), Bombay to Bangkok (2008), and Maximum (2012), and he tried his hand at directing with the 2006 drama Yun hota toh kya hota. His later films included Zinda Bhaag (2013), John Day (2013), Dedh Ishqiya (2014), Finding Fanny (2014), Dharam Sakat Mein (2015), OK Jaanu (2017), Aiyaary (2018), and The Tashkent Files (2019). He acted in international productions such as Monsoon Wedding (2001), The League of Extraordinary Gentlemen (2003), and Today’s Special (2009). Shah’s performances onstage also drew praise. He later added television to his portfolio, with starring roles in the series Zero KMS (2018) and Bandish Bandits (2020– ).

Among his many honours were three Filmfare best actor awards, for his performances in Aakrosh, Chakra (1981), and Masoom (1983). He won a Volpi Cup at the 1984 Venice Film Festival for Goutam Ghose’s Paar (1984). For his contributions to Indian cinema, Shah was given the Padma Shri (1987) and the Padma Bhushan (2003), two of India’s highest civilian awards. His autobiography, And Then One Day, was published in 2014.