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Description

Taking a very short break from the tieflings to hit upon one of the elves of Baldur's Gate 3, Carlorina the Wolf. She can be found in the Guild Hall in Baldur's Gate, and though I don't know anything about her background, she just felt like someone who would strike this pose and would have the Zhentarim logo tattooed across her chest.

Next up (assuming it goes well) Elegis, sort-of-by-request.

Thanks for taking a look, and any comments, critiques, or tips are welcome and appreciated!

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Disclaimer: I’m red-green colorblind. Because of this, it’s difficult for me to tell similar shades/hues of different colors apart, and, therefore, I need to work with very limited palettes when I color pieces. For shading and highlights, I’ll start with a gray base and lighten or darken shades from there, and then add a color overlay (and, for some skin tones, attempt to add a blue overlay to make it less “hot”). I’ve often been told to be bolder in my highlighting and shading, and I’m trying to be so, but… sometimes it still seems pretty tame. I’m just saying this in case you mentioned I need to do that on a previous piece – I’m not ignoring you, and I appreciate the input. It’s just not very easy for me to implement confidently.

Description

Taking a very short break from the tieflings to hit upon one of the elves of Baldur's Gate 3, Carlorina the Wolf. She can be found in the Guild Hall in Baldur's Gate, and though I don't know anything about her background, she just felt like someone who would strike this pose and would have the Zhentarim logo tattooed across her chest.

Next up (assuming it goes well) Elegis, sort-of-by-request.

Thanks for taking a look, and any comments, critiques, or tips are welcome and appreciated!

____________________________________________

Disclaimer: I’m red-green colorblind. Because of this, it’s difficult for me to tell similar shades/hues of different colors apart, and, therefore, I need to work with very limited palettes when I color pieces. For shading and highlights, I’ll start with a gray base and lighten or darken shades from there, and then add a color overlay (and, for some skin tones, attempt to add a blue overlay to make it less “hot”). I’ve often been told to be bolder in my highlighting and shading, and I’m trying to be so, but… sometimes it still seems pretty tame. I’m just saying this in case you mentioned I need to do that on a previous piece – I’m not ignoring you, and I appreciate the input. It’s just not very easy for me to implement confidently.