Comments: 36
Solphiia [2009-02-11 02:47:18 +0000 UTC]
I think you did a great job! It's really nice. My window is never opened...because it's taped shut. xD
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Solphiia In reply to LoneMuffin [2009-02-11 12:52:16 +0000 UTC]
You're welcome! ^^
I use a fan or ac during the Summer and that's about it. xD
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LoneMuffin In reply to Solphiia [2009-02-12 06:56:11 +0000 UTC]
Ah seriously, I'd go crazy like that. I need some fresh air flow sometimes!
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Solphiia In reply to LoneMuffin [2009-02-12 13:46:52 +0000 UTC]
Yeah, fresh air is good sometimes. ^^
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Youichiix33 In reply to LoneMuffin [2009-02-12 01:09:48 +0000 UTC]
hahahaha xD well u did great on this one xD
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blackdragonflower [2009-02-11 01:56:03 +0000 UTC]
His hair is so nice! I want to pet it it looks so soft.
The curtains are adorable. I wish I had some for my room.
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LoneMuffin In reply to blackdragonflower [2009-02-11 06:16:11 +0000 UTC]
Thank you, that hair gave me a headache! I didn't have lineart for it this time around but painted it anyway *dies*
As for the curtains, that was just me being silly. I was worried I was going to get comments like, "what the heck is with those curtains?" xD
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Karin55 [2009-02-10 23:15:33 +0000 UTC]
Incredible drawing! Do you use photoshop or something?
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Karin55 In reply to LoneMuffin [2009-02-11 03:19:47 +0000 UTC]
Oh, i see.
I don't have Photoshop anyways.. how much does it cost?
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LoneMuffin In reply to Karin55 [2009-02-11 06:09:14 +0000 UTC]
Photoshop is quite a powerhouse of a program so it runs pretty expensive I think around $700 USD I'm Canadian so even more here XD
There is a legal, freeware program out there called "Gimp" however, which is pretty powerful in its own right and has most of Photoshop's abilities. I find it's screen set up is a bit more complicated, but it works wonders all the same.
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Karin55 In reply to LoneMuffin [2009-02-13 00:47:38 +0000 UTC]
Oh, I see.
(ZOMG!!! I'll never be able to afford it!!)Gimp? Never heard of it.
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Hana-Okami [2009-02-10 22:04:46 +0000 UTC]
That is SO AWESOME! I absolutely love everything about this picture! And your background is absolutely incredible! He doesn't look girly to me, nor does the picture look grainy. I think it is just you! lol. You must show me how you do the BG, especially the window and floorboards! I am fixing to do something along those line on my next picture. GAAH! I am just blinded by awesomeness! ;A;
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LoneMuffin In reply to Hana-Okami [2009-02-11 01:34:49 +0000 UTC]
Lol thanks. I guess the power of over analyzing is with me for good XD
I'm not sure you want to learn my scary methods. Most of my self taught processes tend to take the long way around *gonks self on head* but I'm willing to share them to get idea's flowing.
Wood planks is it? or did I get confused there?
And thanks again lol
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LoneMuffin In reply to Hana-Okami [2009-02-12 06:52:23 +0000 UTC]
I'd say it's a combination of my methods, and my staring blankly at the screen that makes it take so long in my case. I can sit for a good hour just looking at the color wheel trying to decide where to go with the piece *fails at life*
I was thinking about making a scrap tutorial for this wood thing but I'm full of epic fail at that. It's not a tough process though so I'll just type it out here. I hope that's okay >_<
I personally do this all in Sai but I'm guessing it can be done just as easily in PS
1) draw the lines and color in a random wood color. (If you're putting cracks along the vertical cut lines, I recommend doing those free hand so it looks more natural.)
2) draw in the highlight lines along the boarders of the wood behind the lineart. (click at the top of the line hold shift and click again at the bottom so it draws nice and straight along the line art [it's quicker than using the pentool/vector layer if you ask me]) Same for shadow lines on the other side of the lineart lines.
I use a fuzzier brush than the lineart layer for this process. and depending on how much depth you want your wood to have you may or may not need either the highlight lines or shadow ones. I usually draw both and then just delete the one that seems unnecessary later.
Depending on how dark or light you go with these lines, you can make your wood look really flat or deep. In my piece here, I was trying to mimic the floorboards at my house which have 3 planks glued together and then a gap so I made the shade layer more dominant after every 3 planks.
If your wood has deep cracks along the vertical cut lines or anywhere else, you may want to apply the highlights and shadows along those too. The floor in my piece doesn't have vertical cuts though so I can't show an example XD
3)water tool is your friend because it can blur itself nicely so your lines aren't harsh. In a color close to the shadow lines and on a new layer use it to draw random lines of varying width and angles (maybe throw in some back looping lines too since wood is inconsistent like that) put more lines closer to the shadow side than the highlight side.
4) if it's still not detailed enough, use a really small pen and randomly scribble on a few more lines.
In contrast, if it's too detailed, blur and airbrush random parts.
I think that's about it... Aside from that, if the wood your working on is really small you could probably skip the water step and just use a small pen and some airbrushing. And if the lines look too harsh during the process, before deleting a layer try messing around with the layer's opacity before making a final decision. I find myself doing that more often than not.
I hope that helps get idea's for your own process somehow and I hope I didn't sound like a know it all or something. I usually don't explain things to people for fear of being misinterpreted as condescending
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LoneMuffin In reply to Hana-Okami [2009-02-13 05:31:30 +0000 UTC]
Lol, as usual, not surprised to hear you say that. It's like our artistic brains function in the same way xD
Yes watercolor, sorry about that >_<
It's fine. I had some time earlier, and I type at the speed of light!
*breathes a sigh of relief* well that's good then. Now let's just hope I didn't lead you in the wrong direction...
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Hana-Okami In reply to LoneMuffin [2009-02-13 23:24:39 +0000 UTC]
I know, they must! lol. You know what's weird? The picture I am working on now has turned out WAAAAY better than the crappy, crappy, crappy, CRAPPY scanned version of the picture. It doesn't even look like the same one! lol, I will post the lineart hopefully tonight sometime and put the scan on Photobucket (I wouldn't DARE put the original sketch on dA, for it is embarrassingly bad. You will laugh when you see the difference...).
Oh, well that makes more since. I though there was a water tool and was getting excited! XD
Me too! Unless I am on my iPod, which means you have to poke the little keys on the screen, which is a HUGE pain. I sometimes get so impatient I yell at my fingers to hurry up. O.o
I don't think you did. It will be fun to mess around with it when I get to that picture. After this one, I am going to try to work on our "collab/art trade" (which is going to be very interesting XD) unless I can't get a good idea...then I might start on that again or the other idea that has been floating in my head since yesterday.
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LoneMuffin In reply to Hana-Okami [2009-02-15 16:59:47 +0000 UTC]
Lol I love when that happens. It's like instant evolution. It kind of gives you a bit of pride about instant improvement too. xD
wahahaa, I'm sorry I got your hopes up.
Awesome to hear. I'm excited for our team up, but remember to work on whatever your in the mood for not what you feel pressured to do. I'm stoked for whatever gets produced.
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LoneMuffin In reply to Hana-Okami [2009-02-16 12:47:39 +0000 UTC]
Ah I know that bipolar feeling, that's why I learned to enjoy working on multiple pics at once. If one starts getting irritating, I leave it until my hate for it passes.
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Hana-Okami In reply to LoneMuffin [2009-02-16 23:43:22 +0000 UTC]
lol, maybe I should start doing that. seriously, I was getting SO fed up with that one. i know I keep saying it, but I am still very disappointed with the way it turned out. T~T
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LoneMuffin In reply to Hana-Okami [2009-02-17 18:22:08 +0000 UTC]
I think even the best people have pieces like that from time to time. Working on multiple does help sometimes, but sometimes there are one's you just have to let go and free your stresses from entirely.
I don't think it's a bad piece myself, but all the same, I think now that its out of the way, you can pick yourself back up again and move forward with something more awesome. No sense in stressing over something that's finished ^_^
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LoneMuffin In reply to Hana-Okami [2009-02-19 20:08:17 +0000 UTC]
xD I'm replying to you all over the place. Sorry for the bombardment! lol.
I disagree and think you're better with these things, but this argument will probably go in circles so I'll leave it at that.
ok ok haha I'll fit her into the picture nicely. Regardless of when or how, I'm sure we'll make this piece work awesomely somehow. Don't think too hard though, sometimes things can start out simple and evolve to something more complicated as it goes on. Or maybe you can draw her just however with no theme in mind and I can interpret something from it. However you'd like or what ever strikes you at the time really.
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