Description
line drawing St.Chara and St.Frisk belongs to tekitourabbit
Colouring and effects by me
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Undertale (c) Toby Fox
Securitale (c) tekitourabbit
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PROCESS :
Colouring : Adobe Photoshop CS6
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help from my big sister ^^'
(yeah that's the very first time I'm using Photoshop so I'm a bit awkward with it for the moment
please be indulgent with me... !)
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Background / Klimt patern / golden flowers / other little alterations : Photofiltre Studio 10
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Effect : Photo To Cartoon l Cartoon Yourself With BeFunky
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INFLUENCE :
Gustav Klimt art
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Elfen Lied Opening
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Note from tekitourabbit :
" i have two rules if you'd like to do this.
1. you must credit me for the line art and link me in the description so I can see what you did!
2. KEEP CHARA MALE. i know i'm the anomaly weirdo that has Chara as a guy, but I expect people to respect my decision to do so like I respect theirs. "
proofe of my permission to use her art :
www.zupimages.net/up/17/52/ucn…
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EXPLANATION :
"Or Nouveau" : French wordplay on or (gold) and Art Nouveau ("New Art")
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-The artist who inspired me is Gustav Klimt, a famous Austrian painter from the end of 19th century and the beginning of the 20th century. At that time, Europe was marked by the great artistic movment called art nouveau.
-Art nouveau designs were most common in glassware, jewellery, and other decorative objects like ceramics. But the style was also applied to textiles, household silver, domestic utensils, cigarette cases, furniture and lighting, as well as drawing, poster art, painting and book illustration. Theatrical design of sets and costumes was another area in which the new style flourished.
-Typical decorative elements include leaf and tendril motifs, intertwined organic forms, mostly curvaceous in shape, although right-angled designs were also prevalent in Scotland and in Austria. Art made in this style typically depicted lavish birds, flowers, insects and other zoomorphs, as well as the hair and curvaceous bodies of beautiful women.
-Klimt first achieved acclaim as a decorative painter of historical scenes and figures through his many commissions to embellish public buildings. He continued to refine the decorative qualities so that the flattened, shimmering patterns of his nearly-abstract compositions, what is now known as his "Golden Phase" works, ultimately became the real subjects of his paintings.