charfan4evr [2020-09-18 22:24:30 +0000 UTC]
Haha Mr. Oda is like a god. It seems like you're into drawing action poses (shonen style), so his work is good for learning all these dynamic poses and exaggerated foreshortening. I also think looking at professional work helps you identify your own patterns so that you don't keep repeating the same mistake. Professionals can draw a leg or the side of a face in one line, but underneath it they understand exactly where it sits in 3D space. And that's how no matter how simple their lines look, nothing looks like it's floating.
Probably one reason your linework seems off is because of the form underneath. Here's an example of how form looks under lineart www.deviantart.com/shattered-e…
This is obviously a result of massive amounts of work and study, so before it feels overwhelming, just know that most people are never going to reach that kind of professional level. Think about what kind of project you're trying to complete, and learn skills specific towards that goal. If you want to complete a colored piece of Luffy in an action pose, I'd say do something like, one study of anatomy, then one study of One Piece.
For example, you said you don't like how the hand came out? Do a hand anatomy study, then try a character again, and this time you'll have a better understanding of the thing that bothered you. That way you can keep moving, keep improving different aspects, and bang out many different drawings.
Here's a hand study and foot study lol
www.deviantart.com/qinni/art/H…
Feet
www.deviantart.com/goku-no-bak…
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Madingus In reply to charfan4evr [2020-09-18 22:37:02 +0000 UTC]
Very true I do like my action poses very much, also cudos for the feedback! It definitely sounds like you know your thing.
Breaking down the drawings to smaller parts feels like a much more consistent way to learn drawing better, I might as well start doing that right away!
The anatomy for the hands and feet are a really good start to get me going, thank you!
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