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mangaluvr12125 — Relapse

Published: 2009-08-21 22:54:29 +0000 UTC; Views: 432; Favourites: 8; Downloads: 15
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Description This was a spur-of-the-moment drawing that i did because i was feeling very, very upset T___T
so i channeled my aggrevation and upsettedness into this deviation. i feel better for now ^^
. . .for NOW. auuuuuuggghh.
maybe working on comics would've been better for venting. . .
>___>;

(ah. but there is so much to interpret here! so many little symbolic things i placed in here--for those who care to maybe guess what some of those are! (do it! just humor me, please?))
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Comments: 11

KnowShadow [2009-10-01 23:27:20 +0000 UTC]

I truly love this piece. I can see the pain portrayed. The coloring is great and the composition is wonderful. The surrounding boxes are a nice touch. Looking at this piece, I am reminded that "Relapse" has more to do than just drugs/alcohol, and that a truer definition is "returning to something one attempted to give up."

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mangaluvr12125 In reply to KnowShadow [2009-10-03 00:30:41 +0000 UTC]

thank you TTwTT

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deadricprince [2009-08-22 01:51:31 +0000 UTC]

In addition, the framed pixelized image formed around your person could symbolize being trapped in a simpler form and having to withhold certain details and emotions, and the overlapping original image with torn clothes could be the aftermath and attempts of trying to break free. >.<;

Hmm, the hand placement could have been elsewhere then the left side (heart) For example, when one is holding back tears/breath, there is a sharp pain in the pit of the neck. The previous comment of forced constraint is also likely.

well, there's my diagnostics, probably a quite a bit off.

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mangaluvr12125 In reply to deadricprince [2009-08-22 04:05:00 +0000 UTC]

i wouldn't say it's "off" because everyone has different interpretations of things that's very interesting to me.

hehe. actually (i'll be honest) the "framed pixelized image" was a mistake >___>; i hadn't intended it, and i tried to get rid of it after i realized it was there. . .but i left it because it added something to the pic and -could possibly symbolize SOMETHING, who knows.- and because after staring at it in frustration for 3 minutes, i decided i liked it there.

your participation was greatly appreciated i really do like what you said though.

it's a little odd though that no one mentioned the dark blue gradient at the bottom. . .(it's one of the few things i had an actual reason for. heh.)

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deadricprince In reply to mangaluvr12125 [2009-08-23 23:28:43 +0000 UTC]

awe maybe another time, when my analyzation skills have improved either way its a good picture. although now i am wondering what the gradient background symbolizes

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mangaluvr12125 In reply to deadricprince [2009-08-26 02:23:28 +0000 UTC]

the thing that came to my mind was "being pulled back -down- into darkness" /
"obscuring clarity (the white)"

though now i feel kinda loser-ish for claiming i, of all people, created a piece that had 'deep, analytical meanings'

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pixelFIRE [2009-08-21 23:14:59 +0000 UTC]

Heh, why not actually.
I'll guess a stranger's feelings.

Right then.

First look: Torn clothes, wind blowing from background direction, hands clenched in tight fists on chest. Not immediately obvious whether right or left side of chest. Whole body rigid, anguished expression, tears.

Analysis: Really strong emotion, obviously. Definitely a negative emotion, on basis of facial expression and tears. Heartbreak unlikely, since although hands are clasped on chest, they aren't very obviously on the heart's side. Ragged clothes are probably a symbol of having endured hard times in the past. Hands being clenched may mean inability to do anything, or forced restraint.

Artist's comments refer to "aggrevation and upsettedness [sic]". Upset can mean too many things to be sure, but aggravation points to anger.

So: I'd say you're tormenting yourself with something that's happened, probably pretty recently. You'd want to change things but can't.

How close?

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mangaluvr12125 In reply to pixelFIRE [2009-08-22 03:57:55 +0000 UTC]

*w* ooooh! though torment may be a tad strong a word. . .i say that's pretty accurate good work!
and hey, you nailed the part about the hands being clenched--it's sorta BOTH inability to fix things and a forced restraint.
i think the side of the chest the hands were on was a little more obvious before i gave her hair i didn't realize i had covered over so much. . .whoops.
though i'll admit, the problem did stem from heartbreak. . .but i didn't want the hands directly over the heart, because -the title being what it is- i wanted a broader audience with a broader interpretation (for lack of a better term) instead of just specifically "heartbreak"
i wonder if that makes sense?

thank you so much though for your comment--it's hugely appreciated (because all other times i've asked--no one ever did )

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pixelFIRE In reply to mangaluvr12125 [2009-08-22 09:49:14 +0000 UTC]

Yey for logic. Slightly altering symbolics to cater for a larger audience makes sense to me.

I think people are too predictable. People should act on first thoughts a little more often and the world would be a better place. I think it's the internet actually. Here, everything we do is recorded in some way, so we can't "afford" to make mistakes. To make as few mistakes as possible, we think too hard about things.

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mangaluvr12125 In reply to pixelFIRE [2009-08-23 01:29:53 +0000 UTC]

i myself tend to over-analyze everything i guess that's because doing so "prepares" me, in a way, so that if anything WERE to happen-i would have expected it and therefore would not be caught off guard. I agree that instincts are important and should be followed (unless that person is a horrible, violent person who only desires bloodshed O___O;; ) but i also believe people should add on to that instinct, to make sure that it's the most logical, and most safe.

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pixelFIRE In reply to mangaluvr12125 [2009-08-23 13:55:08 +0000 UTC]

Reminds me of Aristotle's Doctrine of the Mean.

Quote from the English translation: "And so we may say generally that a master in any art avoids what is too much and what is too little, and seeks for the mean and chooses it — not the absolute but the relative mean."

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