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Description
Attempting to do something preconceived, i don't like to but everyone is telling me i have to in order to be taken seriously in photography. i rather like to think i go places and respond to environments and find aesthetically pleasing compositions. further i believe that attempts to force a meaning inevitably drag down a photograph.

however, i'm willing to try the other method and this series(in progress) is the result. People's windows in tokyo often have this frosting over them to block people from seeing in, i'm interested in what they put in front of their windows on the inside and how that (unintentionally) communicates to passersby the state of the house/people who live there.
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Hasselblad 500C/M, 80mm C T*, Fuji Astia 100F

Description
Attempting to do something preconceived, i don't like to but everyone is telling me i have to in order to be taken seriously in photography. i rather like to think i go places and respond to environments and find aesthetically pleasing compositions. further i believe that attempts to force a meaning inevitably drag down a photograph.

however, i'm willing to try the other method and this series(in progress) is the result. People's windows in tokyo often have this frosting over them to block people from seeing in, i'm interested in what they put in front of their windows on the inside and how that (unintentionally) communicates to passersby the state of the house/people who live there.
---
Hasselblad 500C/M, 80mm C T*, Fuji Astia 100F