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Mylenya — Treasure - 016
#croft #lara
Published: 2016-10-06 12:45:19 +0000 UTC; Views: 26281; Favourites: 145; Downloads: 0
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He then coiled more around her, and began to squeeze.- " Oh...! W... Wait, what are you doing...? " Lara moaned.
- " Relax, I'm not going to kill you. " The snake thought.
To Be Continued...
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Comments: 7
Please tell me your getting ready for the brainwashing
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By the way; in artworks 003, 007, 008, 010, 011, and 12; that's not his "tail" on her shoulders or his "tail" undressing her, or his tail massaging her, as per the artists descriptions below the artworks.
That's his upper body moving upward onto her, around her neck, and wrapping her; the tail is on the other end. 
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Lecter-the-Werewolf:
Re: your comment above: If her arms were pinned to her side, it would simply be a case of predator, captured prey, and unwilling consumption; by the artwork it is not.
Artwork 1: The obviously established relationship here begins as Lara voluntarily accepts the snake coming to her; letting it climb upward on her. Her stare is focused; her intent to allow it to mount her body is deliberate.
Artwork 2: Holding the snake against her body with her right hand, while guiding the snake’s upper body higher on her own body; to encourage its continued progress upward over her.
Artwork 3: Right hand holds the snake against her and guiding it upward on her body; so it will not simply leave by simply crawling off her side, as she uses her left hand to lift its neck and continue guiding it. Totally focused on what she is doing, so what she is doing is deliberate and intentional.
Artwork 4: Lara is obviously having a pleasure moment as the snake moves upward on her while she guides it over her left shoulder. The movements of both their bodies is making her left shoulder strap slip off, and she is making no effort to stop what she is doing to keep it in place; hence she doesn’t care.
Artwork 5: Her pleasure at it rippling up and over her body is obvious. She s lifting the snake’s heavy coil against her with her left hand (And a constrictor of this size would be extremely heavy) while holding the snake tightly against her body with her right hand; accepting it, not rejecting it. The snake is actually beginning the first cross around her now, and she knows it.
Artwork 6: As the snake’s head crosses around her neck in its first pass around her body; her face says she totally accepts what is happening. Her right hand is allowing the snake’s body to slide underneath while she keeps its body pressed against her as it slides around her neck to the other side. She is effectively stroking the snake while holding it pressed against her, for maximum contact as she uses her left hand to attract the snake and guide its head further forward and guide it around her body. As an expert explorer Lara would have to be knowledgeable about constrictor snakes, and be fully aware of what she was doing by encouraging the snake to continue wrapping her; she wants the first pass around her body to happen.
Artwork 7: Satisfied that the snake has begun its first full pass around her body she simply closes her eyes and lets it happen while using both hands to keep the snake around her neck. At this point the sheer weight of the snake’s body will begin to bring it downward around her shoulders, and to bring both her shoulder straps off. The weight will be forcing her to relax backwards against the coil around her; obviously she has accepted this.
Artwork 8: The snake’s head has dropped instead of actually passing around her; at this point she will have to adjust it again, or the snake will just crawl away. If Lara doesn’t actually want it to take her, she will simply let it. Actually it is dipping down to come up around her left leg at the upper thigh.
Artwork 9: At this point, as someone who knows about constrictors, I would say that what she is doing is totally consensual. Lara has decided, and what she is doing is deliberate as she uses both hands to lift its coils it upward again to encourage it to continue flowing around her. The snake will accept that she is food at this point, and the weight of the snake will be forcing her to relax backwards against the coil that has by now already slipped down to around her waist.
Artwork 10: The snake has total control of her body now, and Lara is making no effort to stop what is happening as its second pass around her completes; once around her body, and now once around her upper left leg as its head raises to make a second pass around her upper body Again; as a supposedly knowledgeable jungle explorer, she would be fully aware that what she is doing is lethal, and fully aware that the snake is now in total control of her body and has begun its second full pass around her body. This is no longer a pleasurable game; but she is making no move to escape; instead she is now totally relaxed against the coil around her waist. Constrictors are immensely powerful; and it will have no trouble lifting both the weight of her body, and the weight of the coil already around her waist to make a second pass higher around her upper body.
Artwork 11: She appears to be totally relaxed now against the coils around her; and is simply enjoying the sensations of the snake massaging her body with its movements as it flows around her body in its second pass. There is no attempt to escape here in this artwork.
Artwork 12: Same as the above artwork 11; she is relaxed and enjoying the sensations of the snake surrounding her, as it continues to flow around her with its new passage around her upper body.
Artwork 13: As the snakes head comes back upward, she is stroking it with her left hand. This is no case of predator, captured prey, and unwilling consumption; she wants this to happen, and is encouraging the snake to bring its head up again, to make another pass around her upper body. The snake thinks it is controlling her; she is actually controlling the snake, while guiding it around her body.
Artwork 14: The snake is now apparently passing upward and around her left arm as she continues guiding its head with her left hand. She's focused on what she is doing, so this is totally consensual. Lifting it's chin with her hand, under the snakes head, to guide it back around her upper body. The snake wants total control now; from her look Lara is focused on controlling its passage around her, as she has always been focused on getting it up on her body, and then around her body. In the all of the previous artwork, she has always been fully aware of what she was doing; while actually encouraging the snake to take her.
Artwork 15: Lara is still stroking the snakes head with her left hand. this would indicate she is fully aware that she is both guiding it with the movement of her left hand over its head, and encouraging its continued movements on her body. Compression has also now begun; the weight of the snake alone, around her torso, would be making it much harder to breath, and Lara is still not attempting to escape. Stroking the snake’s head with her fingers would be deliberately encouraging it to continue, and she would be aware of this from its movements on her body. Her right hand is still free, and has probably been stroking the coils already around her upper body on that side to also encourage it to continue. Every time she breathes, in this cycle of cooperative devouring, the snake will be steadily tightening the coils around her upper body; timing the constriction to her breathing, letting her breathe outward while preventing the chest expansion of breathing inward again. From her eyes Lara is already losing focus from asphyxia; and is still unconcerned with escaping the chain of events she deliberately set in motion, when she invited the snake to come to her, mount her, and then began guiding it around her body with her hands.
Artwork 16: She is deeply into asphyxia now as it becomes impossible to breathe, and has made no attempt to stop the process of her consumption at any stage of it; which brings us around full circle to the beginning of this overly long screed. All of the above says willing, even if the moderator Mylenya has described her as basically being tricked by the snake; which apparently has at least human level intelligence.
Fair enough, the added human level intelligence makes it more interesting. Intelligence fights intelligence; not just a feeding reptile on prey. If the snake in fact is in her brain, then the snake has actually has had control all along by encouraging her to continue with sensual pleasure; and has certainly gave her an enjoyable experience while doing it.
If you want to follow this step by step with the artwork; you might want to copy this, and print it.
How was that for a comment Mylenya?
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