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No-Sign-of-Sanity — Joker Value Study and Swatches

Published: 2006-07-01 02:57:52 +0000 UTC; Views: 1900; Favourites: 26; Downloads: 115
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Description Value studies are just a part of my normal process of making a painting. They save me a ton of time and cut out a great deal of guesswork by giving me a roadmap to follow when I'm working on the final piece.

So here's the value study I did for "The Joker's Calling Card" in my gallery. Also you'll see that I made sample swatches of all of the major colors I used when making the painting. The swatches are incredibly valuable for trying to match colors later down the road should I ever need to correct something. Since there's a decent amount of color change between wet acrylics and dry acrylics, it's very difficult to try and mix wet paint to match dry paint. So I can continually dab my wet paint into my swatches hit them with a blow dryer and see how close I am to matching the color. This way you're not testing any colors on the actual surface of the painting.

The Joker and Batman characters © DC Comics
This image of The Joker and Batman © Walter O’Neal 2006
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Comments: 10

Sereda [2006-07-29 17:43:56 +0000 UTC]

Just amazing work! I'm really glad you upload these. I love seeing how you go about creating stuff. Great tips too! Thanks for sharing.

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No-Sign-of-Sanity In reply to Sereda [2006-07-29 22:08:40 +0000 UTC]

Oh you are very welcome! If I can ever answer any questions for you about my process (as utterly demented as it may be) just let me know! I'm here to help.

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HardenedInk [2006-07-02 01:14:20 +0000 UTC]

Do you use tracing paper to transfer your line image onto the illustration board or free hand it?

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No-Sign-of-Sanity In reply to HardenedInk [2006-07-02 03:27:30 +0000 UTC]

I actually do all of my final line drawings for my paintings on tracing paper to begin with. The biggest reason for that is if I've got a bunch of major elements going on in the piece, I can draw them all on separate sheets of tracing paper and move them around in layers and adjust the compostion.

When it comes time to transfer a line drawing to the illustration board, I'll flip my drawing over and re-trace the lines on the back of the paper with a softer lead like 2B or so. Once that's done I'll tape the drawing down on the board and transfer the image by rubbing it with a burnishing tool. The reason why I do it like this is that I can actually transfer the entire image multiple times before the pencil on the back runs out. So if I end up losing some of my drawing during the painting process, I can just quickly transfer that part of the image again without much hassle.

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HardenedInk In reply to No-Sign-of-Sanity [2006-07-02 05:04:25 +0000 UTC]

I do the old fashioned rub...so what's a burnishing tool? You kids and your college!

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No-Sign-of-Sanity In reply to HardenedInk [2006-07-02 16:37:13 +0000 UTC]

A burnishing tool is just a long pen-shaped tool with a small round ball on the end of it.

Something like this [link]

This isn't the exact one I have, but it'll give you an idea of what I'm talking about.

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HardenedInk In reply to No-Sign-of-Sanity [2006-07-02 16:59:06 +0000 UTC]

Oh so you just press this over the linework and it transfers without leaving any impressions in the paper....ahhh...good idea.

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No-Sign-of-Sanity In reply to HardenedInk [2006-07-02 22:30:31 +0000 UTC]

Yep! You got it.

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D-NA [2006-07-01 19:42:17 +0000 UTC]

Wow, that's awesome. I like the dryer tip, I don't think I'd ever think of that XD

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No-Sign-of-Sanity In reply to D-NA [2006-07-02 03:38:55 +0000 UTC]

That's what I'm here for. Just another tip from your Uncle No-Sign-of-Sanity.

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