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Description
I liked Madeline's post for so much that I switched out the Mamiya RZ67 for the Bronica SQ-B loaded with Ektachrome and got in close for her expression. I also took another shot of her in this session, but I'll post that tomorrow. Like the shot with Ryan, this uses two filament lights (1.5m x 0.1mm wide single-use metal ribbons with crazy power supplies), plus a regular studio soft box for the rim lighting.

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Modo made the lights; Daz was responsible for wardrobe and set-up. Iray light the short using those crazy lights. Affinity did the developing. I think Kodak made Madeline look white. I swear, it wasn't me who erased her Colombian heritage from this portrait. I swear, Honey!

Description
I liked Madeline's post for so much that I switched out the Mamiya RZ67 for the Bronica SQ-B loaded with Ektachrome and got in close for her expression. I also took another shot of her in this session, but I'll post that tomorrow. Like the shot with Ryan, this uses two filament lights (1.5m x 0.1mm wide single-use metal ribbons with crazy power supplies), plus a regular studio soft box for the rim lighting.

———
Modo made the lights; Daz was responsible for wardrobe and set-up. Iray light the short using those crazy lights. Affinity did the developing. I think Kodak made Madeline look white. I swear, it wasn't me who erased her Colombian heritage from this portrait. I swear, Honey!