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Description

(Part 1 ) (Part 15 ) (Part 17 )

It was tricky finding shots where Sayaka is running toward the camera.

That rotary railhub this place is centered on, with all the locomotives in their housings around the perimeter, was stitched together from photos of the Kyoto Railway Museum.

I play some funny perspective tricks here and there by wrangling the Photoshop transformation tools. Getting multiple camera angles using only a single photograph is a chore. I didn't really need to, as the labyrinths in the series play fast-and-loose with perspective and location, but I wouldn't want to use that as an excuse to be sloppy.

Description

(Part 1 ) (Part 15 ) (Part 17 )

It was tricky finding shots where Sayaka is running toward the camera.

That rotary railhub this place is centered on, with all the locomotives in their housings around the perimeter, was stitched together from photos of the Kyoto Railway Museum.

I play some funny perspective tricks here and there by wrangling the Photoshop transformation tools. Getting multiple camera angles using only a single photograph is a chore. I didn't really need to, as the labyrinths in the series play fast-and-loose with perspective and location, but I wouldn't want to use that as an excuse to be sloppy.