Comments: 50
loryleclerc [2015-08-08 09:40:13 +0000 UTC]
This has a stong emotional impact too.
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archanc [2014-11-23 12:50:53 +0000 UTC]
This works really well too. The focus on the father-and-daughter while everyone else pales into insignificance behind them, showing hw they are shutting all distractions out as they commune.
It's a tender and necessary moment - and it tells us a lot about them both. Duncan is not as stern as he appears - and Teela more vulnerable than she likes to project.
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adlerstein451 In reply to thepolishgirl [2014-11-27 20:23:21 +0000 UTC]
It is just right for the story. The fadedness shows the less important people here as not so important.
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archanc In reply to thepolishgirl [2014-11-24 18:36:17 +0000 UTC]
Sometimes that's how inspiration works; it certainly is demonstrable here.
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panamotu [2014-11-14 19:26:04 +0000 UTC]
This one was also one of my favorites of your work.
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panamotu In reply to thepolishgirl [2014-11-18 16:46:09 +0000 UTC]
Oh yes, it was much remarked upon then.
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alpine1000 [2014-11-09 19:23:23 +0000 UTC]
One of my favourites of all your Omnivore work. It's so touching.
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alpine1000 In reply to thepolishgirl [2014-11-16 19:02:16 +0000 UTC]
You didn't? I'm surprised. It's really distinctive and subtle.
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alpine1000 In reply to thepolishgirl [2014-12-12 13:10:18 +0000 UTC]
Well, whatever it is that 'isn't right' isn't obvious either!
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Docmagnus111 [2014-11-07 18:32:48 +0000 UTC]
Really, really nice. So touching.
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adlerstein451 [2014-11-03 14:32:15 +0000 UTC]
This is a really nice and touching image of a significant moment of quietness in the story. It shows real love.
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thepolishgirl In reply to adlerstein451 [2014-11-03 21:45:13 +0000 UTC]
^__^ I know, right? The very special kind of fathers and daughters. Which can be awkward sometimes, especially when fathers don't know how to show their feelings. Thankfully though, Duncan doesn't have that problem.
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adlerstein451 In reply to thepolishgirl [2014-11-07 16:09:37 +0000 UTC]
What is nice here is that maybe Duncan does not always feel it is easy to show it - not in such a public place, but here he overcomes it because of his girl's distress.
The way you show them together, alone in the midst of all the rest is tender. The other figures fade because they are excluded from the moment.
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adlerstein451 In reply to thepolishgirl [2014-11-11 18:20:57 +0000 UTC]
But we have only seen this Duncan under great stress - his daughter abducted, his charge Adam rushing off to rescue her against all advice. And now He-Man is gone and cannot be found at all. I think it is right that he seems somewhat severe and preoccupied under these conditions. Or do you not think so?
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adlerstein451 In reply to thepolishgirl [2014-11-16 10:21:26 +0000 UTC]
Thank you. I do believe that Duncan here is under much pressure, yes. And it makes him seem harder, as when he snaps at Teela (but he also gives her a public hug!)
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thepolishgirl In reply to adlerstein451 [2014-11-16 21:43:39 +0000 UTC]
Pressure does that to us, doesn't it? Makes us go from one extreme to the other.
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adlerstein451 In reply to thepolishgirl [2014-11-17 16:17:48 +0000 UTC]
Yes, that is very right indeed. It does.
I think we cannot be sure how Duncan would be normally here, since we have not had that chance to see him when not under this great pressure.
He-Man is captured, Adam (as he knows) also lost and through his own madcap reckless haste. Teela is fretting madly and the kingdom is without its heir. Nor can the Sorceress help!
I think he has good reason to be worried!
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thepolishgirl In reply to adlerstein451 [2014-11-17 18:53:31 +0000 UTC]
I just wish for Duncan as I remember him, is all ^__^
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adlerstein451 In reply to thepolishgirl [2014-11-19 17:28:40 +0000 UTC]
But would you want every MOTU story only to be a repeat the exact evolutionen of the 1980s cartoon? That would not be too attractive to many.
I am thinking this story works so well because the framing and the characters are all familiar, but they are also developed much past the cartoon and with greater realitism and deepness. I recognize Duncan here so easily, yes, but know that here he is in a world which has great pressure and threat.
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adlerstein451 In reply to thepolishgirl [2014-11-22 17:57:09 +0000 UTC]
It had much appeal and charm, yes. But it is also nice to see MOTU grow up a little in the hands of a skilled writer and deeply sympathetic imagination.
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adlerstein451 In reply to thepolishgirl [2014-11-24 19:55:48 +0000 UTC]
I understand. And it is good for us and for MOTU that you are here!
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Cromaboo [2014-11-03 01:13:01 +0000 UTC]
Yeah - I sure did like this pic. Still do!
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Foresternew [2014-11-01 15:45:32 +0000 UTC]
Another one I liked. You got Teela's age just right, and her cadet's uniform and practical hairstyle. And even her court gloves!
It's all in the details, isn't it?. I like the architectural setting too.
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Foresternew In reply to thepolishgirl [2014-11-04 15:29:30 +0000 UTC]
I like the (unusual) display of emotion between the two of them. The stress has brought out the true depth of their feeling.
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adlerstein451 In reply to thepolishgirl [2014-11-03 14:31:25 +0000 UTC]
I did comment on it and so did some others, I remember. It was much liked.
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alanfergant [2014-10-31 12:35:53 +0000 UTC]
This is a great favourite of mine, this image. It is perfect.
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alanfergant In reply to thepolishgirl [2014-11-04 13:04:41 +0000 UTC]
Most welcome. Your art for this tale is special.
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Mountiebar [2014-10-31 03:00:45 +0000 UTC]
I really, really like this so very much.
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