Comments: 10
TheDorsai [2012-12-10 15:46:50 +0000 UTC]
The break from iambic meter coupled with the big vocubulary made it a little difficult to read but the imagery was beautiful. I like this a lot.
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TheDorsai In reply to ThomasInTheClouds [2012-12-11 12:47:19 +0000 UTC]
It can be frustrating when you've hit on the perfect turn of phrase...and then you realize it doesn't stay true to the meter. The same as when you want to use a specific word and you have to restructure the whole line so you can maintain your rhyming scheme. Put the point of iambic meter is to make the poem flow briskly along, directing the reader forward from word to word naturally. I'll be uploading recordings of my poems spoken aloud sometime this week that will give you a feel for how meter works to enhance the readability of a poem.
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Poetrymann [2012-12-07 15:20:33 +0000 UTC]
Very nice!
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ThomasInTheClouds In reply to Poetrymann [2012-12-08 00:46:01 +0000 UTC]
Thank you! It's my personal favorite as far as DFC goes. And I love the way the form flows, I'll definitely be writing more in Trijan Refrain in the future.
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Poetrymann In reply to ThomasInTheClouds [2012-12-08 03:36:37 +0000 UTC]
Mine is still the Rubaiyat, but I like this one as well. I hate Sestinas...
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ThomasInTheClouds In reply to Poetrymann [2012-12-08 03:59:59 +0000 UTC]
I haven't attempted a Rubaiyat yet, but I have written a Sestina… My God, they're difficult. The French antiquity poets must have been incredibly gifted or well versed (or both).
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Poetrymann In reply to ThomasInTheClouds [2012-12-08 04:15:37 +0000 UTC]
I did a Sestine last year...based on the board game, "Clue". I just could not think of anything else to do... I also found the Magali Shairi difficult as there really are few examples.
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ThomasInTheClouds In reply to Poetrymann [2012-12-08 04:39:57 +0000 UTC]
That sounds interesting, I'll look for it in your gallery. I had to look up the Magali Shairi form, it's day 10 of DFC. It looks odd; I'm not used to shorter forms.
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