Comments: 48
Thang-Long-2022 [2018-08-25 16:47:55 +0000 UTC]
Huh. Whenever I imagined Will Scarlet in Disney's Robin Hood, I always imagined him to be a weasel. Oh well. This version is good too.
Upon first glance, I thought for sure he was one of those Disney characters, scrapped by a Disney professional artist.
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tranimation-art In reply to Thang-Long-2022 [2018-12-19 23:11:09 +0000 UTC]
In the original child ballads, Will Scarlett was described as Robin Hood's "cousin." Back then, the word "cousin" wasn't as strict as is nowadays. If they were not your parent or sibling, they were a "cousin" -- a relation, any relation, if by blood or by marriage. So, I had Will and his sister Sibyl (Prioress of Kirklees) as first cousin where their mothers were sisters and, with that, he logically became a fox. If he was not a relation, weasel would be very good option as well.
Actually, yes. The design for my Will is directly based on early rough designs b Ken Anderson and Milt Kahl that were, indeed, rejected. This is when Robin was much thinner and had a longer, upturned nose. I've thinking of re-colouring my Will again to make him more "blonde." I had already made him a lighter yellow-orange (more yellow than orange), but I'm still unsure if his design is distinctive enough to make sure you don't mistake him for Robin himself: andreasdeja.blogspot.com/2012/…
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vyk13 [2017-06-02 18:28:12 +0000 UTC]
I absolutely love this and the rest of your Robin Hood work. The story especially. I only wish that there could be a remake with Will, Sir Guy and all the others that they left out.
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tranimation-art In reply to vyk13 [2017-06-05 15:21:39 +0000 UTC]
Same here. Will and Guy were among my favourite characters and I was miffed that they weren't included, but that gave me reason to do this and correct a lot of a historical inaccuracies and weird anachronisms of the film, such as peasants wearing glasses, an electric-powered organ, Protestant mice (seriously, what?!?!), etc. Also, very few ROBIN HOOD adaptations never talk about the complexities of that period: King Richard was not a good good at all, Prince John was a great politician, the Robin Hood ballads started off as pagan and then they were "Christianized," Robin becoming a "noblized" was a Renaissance developed because before then he was just a yeoman, also there were more religions than Christianity (like Odinism, Judaism, Islam), people never talk about if Robin had a role in the Welsh wars, First Baron's War, or the Magna Carta, or there are references of Robin Hood and Little John in Scotland (so they weren't always in England) as well as France (specifically Normandy), Maid Marian as the damsel-in-distress is a purely Victorian invention because she was a crossdressing, tomboyish badass in the original ballads, also where is Robin's "first wife" who is Clorinda the Queen of the Shepherdesses who was also a badass female, where are all the badass women really, etc.
I also wanted to place a figure at a lot of misconceptions people have of the medieval period, like white-washing (which is why I added so many "people of colour"), peasantry had a form of education and how the Church attempted encourage ignorance and buried education (during the Islam's "Golden Age/Renaissance") in order to better control people, women had more rights and freedoms in the medieval period than they ever did during the Renaissance (there are actual records of female Sheriffs of Nottingham), etc.
But please continue to look out for more information. My Sir Guy of Gisbourne and Sibyl of Crigglestone (Prioress of Kirklees) has a significant, very epic story, as does Little John and Fanny the Midwife, as well as Much (which is Skippy). I want to talk more about Nasir and Azeem, the Muslim characters, why I changed the Protestant mice into Master and Mistress Twidiwink and why the Blue Boar Inn is significant, why are these other characters significant, etc.
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JesSEGA [2016-12-19 21:51:53 +0000 UTC]
Wow! Very nice. ^.^
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tranimation-art In reply to DCLeadboot [2015-11-04 03:12:34 +0000 UTC]
Thanks! I hope you enjoy the rest of my ROBIN HOOD works here: tranimation-art.deviantart.com/gallery/47442542/Robin-Hood
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FlapperFoxy [2015-11-02 14:55:49 +0000 UTC]
Very nice work!
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nuriaabajo [2014-03-30 09:11:08 +0000 UTC]
Of course, I think the color change is an improvement, the old drawing was very "red" (hair, coat, clothes), and there was no Featured details (like the violet feather). I also like that the character is based on the ancient sketches of of robin hood
Will scarlett is also my "merry men" favorite (I think all women love this character because he is interesting as Robin Hood, but on the contrary, Will has no steady girlfriend and a completely definite "story", and may be an open canvas to change)
I like it when you give color to the drawings, I want you to do it with more sketches XD and thanks for the mention
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tranimation-art In reply to nuriaabajo [2014-09-06 17:34:58 +0000 UTC]
Agreed, I do admit that the original Will Scarlett was too red. He looked like a blood spot. I hope to later redesign his costume to resemble more like Prince Philip. Yes, Will is usually depicted as a womanizer and a charmer, as well as a dandy.
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Reyelene [2014-01-14 05:47:05 +0000 UTC]
"Far too red", eh? I don't consider red an eyesore at all. I can never have enough red in my life. I always find that red makes me happy, while blue (although calm and soothing) can depress me ...
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tranimation-art In reply to Reyelene [2014-01-14 07:48:08 +0000 UTC]
The original drawing was too red, as if was red fur with red clothes; he was so red that he looked like a bloodstain, so I went with bright orange and deep red here.
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Lukas2449 [2014-01-13 07:01:28 +0000 UTC]
Looks great! Don't see any problems with it. Great work!
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Hellawulf [2014-01-12 10:30:38 +0000 UTC]
To be perfectly honest, I can't find any faults.
If he is meant to be a dandy (or acting the part) as portrayed in the ballads then it suits.
Although I'm quite surprised he's not wearing at least some sort of leather doublet for protection. But that's just me.
The black tip on the tail is a nice touch to set him apart from the usual Saxon foxes.
( I would have critiqued but it was bloody insistent on the 100 word thing)
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tranimation-art In reply to Hellawulf [2014-01-13 09:48:31 +0000 UTC]
Thank you so much for the critique! (Yeah, the 100 words thing is annoying.) Scarlett becoming the angry character was a more modern creation. As I mentioned, the word "scarlet" meant expensive, rich fabric, usually dyed expensive colours like red. Once etymology made it unanimous with the colour red, the "angry Scarlett" logically came about, therefore he was always the dandy to me. The dandified version was just the Scarlett I grew up with and came to love first and foremost.
I did mention that this was more "causal wear," but it comes off as "too fancy" for "causal"; the previous drawing I did of him had him in a luxurious cape. I always like to give characters a wardrobe -- or one outfit with multiple layers, so one various states of undress, it comes off as a different costume. Unfortunately, doublets technically are 14th and 15th century creation; this is just at the turn of the 13th century.
There is also subtle black tips on his ears to correspond with the black-tipped tail. Ken Anderson's preliminary drawings had him with white-tipped tail and black-tipped ears; I recycled many aspects of these "older" designs into Will Scarlett, like the snout, lack of eye circlets, etc: andreasdeja.blogspot.com/2012/…
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Gilhin [2014-01-07 07:39:52 +0000 UTC]
Technically it's RE-redesign, as Will Scarlet ~was~ in the Disney version; he was the rooster/narrator.
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tranimation-art In reply to Gilhin [2014-01-07 07:41:49 +0000 UTC]
No, the Rooster was Alan-a-Dale. It's a completely different character.
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Gilhin In reply to tranimation-art [2014-01-07 09:00:33 +0000 UTC]
....crap, you're right. It's been a while since I've gotten a chance to watch it sorry! ^_^;
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tranimation-art In reply to Gilhin [2014-01-07 14:49:52 +0000 UTC]
No worries. Will Scarlett was one of the earliest characters of Robin Hood ballads. But as the legend changed and matured, from oral tradition to written word, as histories change, new characters were added, new stories were added, the paganism of the original turned more Christianized, etc. Will Scarlett changed and altered with it; he would merge with characters, like Will Stutley, Will Gamwell, and Alan-a-Dale. Alan-a-Dale was a product of later ballads. Sometimes, Scarlett and Alan were dumped as one character. Most of the time, they are separate.
This does make me want to give Scarlett a more distinctive instrument. Most etchings and illustrations of Alan have him with a lyre or a harp rather than a lute. It's an instrument that's been around since antiquity, so it was considered commoner's instrument. Scarlett, with his expensive clothes, saw usually always seen with a lute, which was a more "modern" invention at the time, considered more sophisticated. Personally, I don't know if I should give Alan-a-Dale a harp/lyre or have him keep the lute (which suspiciously sounds like a guitar). If he keeps the lute, I should probably give Scarlett the harp/lyre.
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Buraideviant [2014-01-07 02:16:45 +0000 UTC]
So impressive.
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GoodOldBaz [2014-01-06 23:48:35 +0000 UTC]
he looks awesome!
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FoXX99 [2014-01-06 23:42:58 +0000 UTC]
cute
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KBAFourthtime [2014-01-06 23:08:21 +0000 UTC]
About Baron Robert of Little Dunmow, since it is said that King Richard was Marian's uncle, is Baron Robert Richard's brother, or was his late wife Richard's sister?
Either way, was either parent a foster sibling who biologically had Marian, or was that parent a biological sibling who adopted Marian?
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tranimation-art In reply to KBAFourthtime [2014-01-07 01:22:25 +0000 UTC]
The term "ward" means someone is under the protection of someone else (usually not related by blood). As a royal ward, you are under the protection of the English Crown and you essentially become an "in-law," but that does not necessarily mean that are orphaned. You're not a foster child; you are a ward. (I believe this predates the term of "godchild" and/or "godparent.") Marian's father is still alive, but her mother is not. To become a lady of court, she would have be the "ward" of a lady. Becoming the ward of Queen Eleanor part of her education to become a lady of court. Boys could go through this as well. Many would-be knights were taken from their homes and became "wards" of knights, who would take them under their protection, mentor them, train them, educate them, and eventually be granted knighthood if they succeed. (This is why Marian is a fox who is an "in-law" to lions.)
A feudal baron wasn't a title of peerage, but a title of privilege (by tenure). Basically, it was nobles, the King's men, who held land directly from the Crown and were granted a legal jurisdiction over their territory known as "the barony." The dignity of a feudal baron is a personal title and carries with it no special powers beyond the title of 'baron', certain qualities and precedence (like being called "lord" because you're basically a "landlord/landowner"), and a few heraldic privileges, but that's about it.
Historically, many scholars Marian is based on Maltilda FitzWalter, daughter of a baron named Robert FitzWalter of Little Dunmow, who helped draft the Magna Carta (a kind of British Declaration of Independence, sort of) and led the (First) Baron's War against King John. Legend -- I repeat, LEGEND -- has it that Prince John became smitten with
Maltilda and wanted her as a mistress. Father refused, she ran off into the woods, met a Robert of Huntingdon (Robin Hood), they married, they fought against John, eventually regained his estates, and she ruled over the castle as honourably as she did in the greenwood. King Richard died, Prince John became king, Huntingdon died, she mourned his death and ran to Dunmow Priory. John heard of the treat, he sent a knight named Robert de Medieve to give her a poisoned bracelet, to ask her to accept it as a pledge of her sovereign's pardon and of his future favour. She accepted it, wore the bracelet at her arm, and even though she was a "mature beauty," Medieve had fallen in love with her. Medieve returned to see her once more, but learned that the bracelet ate through her flesh and she died, and realized he was an unconscious agent in a dreadful crime, and supposedly threw himself into her funeral pyre and died.
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GravureArtist [2014-01-06 22:57:25 +0000 UTC]
sweet drawing.
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