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twistedMedium — Forest - Sen Lin

Published: 2012-11-04 18:08:24 +0000 UTC; Views: 972; Favourites: 19; Downloads: 0
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Description The first in a series of small (4"x6") landscapes I am working on.

Sumi-e ink on coated paper
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Comments: 10

Badusev [2013-08-19 17:12:13 +0000 UTC]

A+++

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Yagamiseven [2012-11-06 06:17:09 +0000 UTC]

cool

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devine-consciousness [2012-11-05 22:49:55 +0000 UTC]

or at least can you explain how you use the ink and different ways of using the ink because its so strong its hard to make softer tones of it

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twistedMedium In reply to devine-consciousness [2012-11-06 14:18:15 +0000 UTC]

Thank you! Honestly, I used to be very detail-oriented in my art and I still can get lost in minutia at times but for a number of years now I have really worked at distilling things to the core and simplifying. It is actually hard work *not* to do more at times

It takes practice and effort. Spend time looking at great works in these styles and also draw inspiration from simple forms and elegant lines around you. Do a sketch and then keep subtracting things to the point that you still have the essence of the subject but no more.

As for the ink, I use real Sumi Ink or begin with an ink stick/stone. That is crucial. From there it is about learning how much water to use and how to load the brush to get the desired result and even dry brushing. The surface/paper is also important. There are great books out there with the basics and some wonderful videos online. Good luck!

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devine-consciousness In reply to twistedMedium [2012-11-06 15:12:25 +0000 UTC]

thank you ill try that, and i use sumi e paper but sometimes especially with ink it just goes right through and it absorbs the coloring like a sponge i guess that could be a good thing but i dont know! ill keep trying though thanks alot!

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twistedMedium In reply to devine-consciousness [2012-11-06 16:39:39 +0000 UTC]

My pleasure, also be aware that there are different kinds of papers (Xuan/Shuan) and sizing and often raw/un-sized paper is placed on an absorbing surface like felt. The amount of water on your brush and ink loading is also the biggest thing to understand and get right. Watercolor paper will have an entirely different feel and effect but can be good practice too.

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devine-consciousness In reply to twistedMedium [2012-11-07 00:02:38 +0000 UTC]

i see i will look more into this ! i just love oriental art and i hope you continue yours

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devine-consciousness [2012-11-05 22:49:08 +0000 UTC]

wow looks like you know a bit about sumi e i love them but could you maybe explain what you would say its like ... i cant seem to make mine simple enough because i know that the chinese traditional art is about how less is more

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twistedMedium [2012-11-05 14:07:54 +0000 UTC]

Thank you Lunael, I love working with just traditional Sumi-e ink and that stark contrast it gives. It is amazing how many tones and effects you can get with just a single color of ink.

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Lunael [2012-11-04 23:32:35 +0000 UTC]

Lovely. I quite like the shades in these mountain/rocks. They make a stricking contrast against all the white areas in your piece

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