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boettcherART — Pavillion im herbstlichen Fasanenwald

#autumn #contemporary #expressive #forest #landscape #modernart #painting #realism #scenery #sunshine #traditional #trees
Published: 2016-03-22 06:11:15 +0000 UTC; Views: 464; Favourites: 35; Downloads: 0
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Description Even more trees, this time in autumn colors
Oils on canvas 60*50 cm.

Thanks so much for your faves and comments, I am very grateful about having supporters like you!
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Comments: 28

rai-gk [2016-12-23 20:18:21 +0000 UTC]

Oh wow, I really love this piece! The colours work so well together and the texture from the brushstrokes is very pleasing to look at. Fantastic as always

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boettcherART In reply to rai-gk [2016-12-24 12:10:28 +0000 UTC]

Thanks so much for your lovely words, they bring the sunshine to my artists heart!

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AyeArtLabs [2016-03-31 19:49:41 +0000 UTC]

Colors and the leading lines that take the eye into the painting create a dynamic and pleasing view.  Your brushstrokes are wonderful.  As an experienced photographer I am venturing into acrylics ... and hope to approach those brushstrokes someday.

Looking at this.  A different approach that I am considering until my drawing skills improve.  See "“Painting in the 21st Century”How to Paint a Landscape in Oils  "  at www.artinstructionblog.com/how…  
Curious, what do you think for a beginner to try?  ... I can see the dangers of having too much detail but, it would help me to get a shape on canvas .

Anyway, as always excellent work ... in a site that has too much non-art images on it ... you are a light I think.
... LightScholar

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boettcherART In reply to AyeArtLabs [2016-04-03 15:42:01 +0000 UTC]

Such flattering compliments thank you very much, really appreciate it!
The instruction there at the blog is very good, especially the suggestion of combining photos to create the desired layout. When starting painting it is better to learn all the details, colors, different types of brushes, paper and canvases, about perspective, human anatomy and so on. These are the basics. From that on one can go step by step into abstraction, reducing details or whatever your way of abstraction will be.
Some don't care about all the theories and just paint, mostly objectless abstracts, that is also okay - no matter what you do, relax and have fun

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AyeArtLabs In reply to boettcherART [2016-04-04 00:26:37 +0000 UTC]

Art:

I meant it ... for me your brushstrokes are sublime.   Thank you for looking at that.  I did not have the background to evaluate that and I know you do.    Thanks for your suggestions.  I have a brushes, new easel, etc. but, I still need to get the proper paint.

Best regards,
LightScholar

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boettcherART In reply to AyeArtLabs [2016-04-04 12:42:05 +0000 UTC]

you are welcome!
Just a note reagarding your interest in my heavy brushwork: I mostly work with oils and they have a different texture/consistency than acrylics. You need to work with "heavy body" acrylics to get close to the thick oils but it is still a different approach.
Cheers
-Stefan

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AyeArtLabs In reply to boettcherART [2016-04-04 21:03:40 +0000 UTC]

I had started researching acrylics but, my interest really is in the brushstokes ...  so maybe I will see what oils I need now ... I used to be very happy in the precise images of my DSLRs but, now they just have too much reality for me.   Time and change ...   Thank you again my friend!
... Frank

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boettcherART In reply to AyeArtLabs [2016-04-06 06:17:02 +0000 UTC]

Mediums, themes, ideas - everything will change over the years. That is part of the creative flow And it is always fun to open up your horizon and to follow new ideas, even if you turn them down in the end. It is all experience

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AyeArtLabs In reply to boettcherART [2016-04-06 16:20:14 +0000 UTC]

Stefan
Thank you for sharing your experience.  It seems the more I read from my web research ... the less I understand ... too many competing voices found from Google.  So you have helped me a lot so far.  For example, you enabled me to learn about "heavy acrylics" ... and oil painting and its texture.  I am grateful.    

Also, I meant it when I said your brush strokes are sublime.   I could just go ahead and Favorite your whole page  So if you would humor me with the below question and tell me what you  think ... then, I will try to not bother you with this further ... I realize I am missing the university course ... and will just have to plod along  Some things I am just going to have to try ... probably fail ... and try again ... fail better and try again ... so on That is the fun of it right ?

I just realized that you do not need my in-work "Thumbnail Sketch of my Plan: to answer the following question.  So I am going to repeat it here.  Thank you in advance if you do consider this for me.  I trust you ... all of the competing things I found on the web ended up confusing me.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
[] My Question:
If I purchase the "Golden Artist Colors Heavy Body Acrylic Paint Classic Theory Color Mixing (Set of 8)" with the hues below would that be a good first try at this ... that is are the colors adequate to begin painting my initial subject matter. 

Amazon USA Link: " Golden Artist Colors Heavy Body Acrylic Paint Classic Theory Color Mixing (Set of 8)" see www.amazon.com/Golden-Artist-C…  ... contained within  Classic Theory Color Mixing Set - Contained in the set are a balanced range of eight transparent and opaque colors in 2 oz tubes, including Cadmium Yellow Light, Indian Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, and Titanium White, plus a color mixing guide. 

Also, I have paint color mixing card to aid me.

Thank you in advance. If there is anything I can help you with let me know.  
Frank
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
[] Thumbnail Sketch of my Plan: Alpha, Inwork as of Wed:040616
.....
Goal: Achieve at least okay brush strokes and to get started in 2016 and improve with time. I would like to see my brush strokes ... really for me anything less is just not going to be good.  

Fact Summary:
... Location: It seems that the place I have to try this is limited right now ... to a drop cloth area set up on carpet ... in a now former living room.  I need to limit the mess and outside approaches 100 degrees F ... sometimes in early June in the warmer years.

... Initial Subject Matter:  I have many floral based still lifes (tulips, roses, etc) and some landscapes ... that I wish to try to convert to paintings -- nearly two years worth of photographs and digital paintings.  None are currently posted here on Deviantart.

... Transfer to Canvas:  Learn to draw separately over time ...  Or, right now, maybe tomorrow, 
I propose to  initially apply the method you looked at earlier: “Painting in the 21st Century” How to Paint a Landscape in Oils see  www.artinstructionblog.com/how…

Really just take one or my still lifes and prepare it and use large pieces of carbon paper to get it onto the canvas to paint.  i have water color pencils to fill in and fixative to put on this before painting.

Proposed Medium:
 It seems that location supports heavy acrylics better than oils.  So I propose to begin with"heavy acrylics" as a reasonable first try?  I have most of the tools to support this even a new easel "but not" currently the paint  ...  or colors chosen ...  

My Question:
If I purchase the "Golden Artist Colors Heavy Body Acrylic Paint Classic Theory Color Mixing (Set of 8)" with the hues below would that be a good first try at this ... that is are the colors adequate to begin painting my inital subject matter. 

Amazon USA Link: " Golden Artist Colors Heavy Body Acrylic Paint Classic Theory Color Mixing (Set of 8)" see www.amazon.com/Golden-Artist-C…

... contained within 
Classic Theory Color Mixing Set - Contained in the set are a balanced range of eight transparent and opaque colors in 2 oz tubes, including Cadmium Yellow Light, Indian Yellow Hue, Cadmium Red Light, Alizarin Crimson Hue, Ultramarine Blue, Prussian Blue Hue, Viridian Green Hue, and Titanium White, plus a color mixing guide. 

Also, I have paint color mixing card to aid me.

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boettcherART In reply to AyeArtLabs [2016-04-07 06:00:50 +0000 UTC]

Hi Frank, you are very welcome! I know what you mean: loads of voices flood the internet and because people are different, having different needs and goals their advices are different. If your local store supports more acylics than oils go for acrylics. Also if painting indoors you have no problem with the smelly terpentine and brush cleaner (with then should be odorless) needed for oils. I don't know the GOLDEN brand so you have to give it a try. Over the time I have also tried a lot of brands to find the "right" one, now using Daler&Rawney. There is no other way than the trial an error one
Lets get a canvas and slap some color onto it
BW Stefan

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AyeArtLabs In reply to boettcherART [2016-04-07 11:02:21 +0000 UTC]

Stefan:
You are right my friend.  Thank you again.  Have a great rest of the week.  Summer temperatures here today ... 85 degrees F.
{fdw}

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boettcherART In reply to AyeArtLabs [2016-04-08 05:25:11 +0000 UTC]

 

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AyeArtLabs In reply to boettcherART [2016-04-08 19:29:18 +0000 UTC]

Stay colorful!

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boettcherART In reply to AyeArtLabs [2016-04-10 12:17:11 +0000 UTC]

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AyeArtLabs In reply to boettcherART [2016-04-10 15:45:17 +0000 UTC]

Have a good weekend!

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michaelelliottfurr [2016-03-22 15:55:07 +0000 UTC]

Oh wow!! This is one of my favorites youve done!! The palette really works together!!

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boettcherART In reply to michaelelliottfurr [2016-03-23 06:30:38 +0000 UTC]

Hello Michael, thank you so very much for your uplifting words, my friend!! Great to hear that you are so excited about it

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gb62da [2016-03-22 15:14:08 +0000 UTC]

Das ist ja echt toll. Und die herbstliche Stimmung wunderbar wiedergegeben!

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boettcherART In reply to gb62da [2016-03-23 06:29:10 +0000 UTC]

Herzlichen Dank! Herbstbilder sind immer so eine Sache bei mir, denn da greife ich gerne tief in den Farbtopf, speziell bei Rot und Orange. Und Tage später denke ich dann: "örgs, viel zu knallig!". Malerei ist eben wie die Fotografie eine Momentaufnahme, gerade auch was die Stimmung des Künstlers betrifft.

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gb62da In reply to boettcherART [2016-03-23 08:44:09 +0000 UTC]

Ja, so geht mir das auch bei der "Entwicklung" der Bilder. Später nochmal betrachtet, findet man die Farb- oder SW Wahl dann doch wieder nicht so toll oder hat weitere Ideen. Oder eine andere Stimmung...

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boettcherART In reply to gb62da [2016-03-24 08:00:01 +0000 UTC]

Diese kreativen Prozesse laufen denke ich unabhängig vom Medium ab. Eine schöne Gemeinsamkeit.

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gb62da In reply to boettcherART [2016-03-24 08:45:36 +0000 UTC]

Das ist sehr interessant zu erfahren. Schön, daß es hier diesen Austausch zwischen den verschiedenen Künstlern gibt!

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boettcherART In reply to gb62da [2016-03-24 11:25:01 +0000 UTC]

ja, das finde ich auch!

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mp2015 [2016-03-22 13:58:26 +0000 UTC]

Great looking impasto

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boettcherART In reply to mp2015 [2016-03-23 06:23:52 +0000 UTC]

thank you very much!

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asaziel [2016-03-22 10:38:02 +0000 UTC]

Wenn man sich lange genug auf das Bild konzentriert, kann man fast die Blätter im Wind wiegen sehen.

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boettcherART In reply to asaziel [2016-03-22 12:16:20 +0000 UTC]

Danke!
Aber nicht einschlafen dabei

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asaziel In reply to boettcherART [2016-03-22 12:18:58 +0000 UTC]

^^

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