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Description
Batman (1989 film)

( I have to admit...I was one of the naysayers about the casting of Micheal Keaton...I loved him at the time...but as Batman?!... what were they thinking....?... But he was great in that role...)

Batman is a 1989 American superhero film directed by Tim Burton and produced by Jon Peters and Peter Guber, based on the DC Comics character of the same name. It is the first installment of Warner Bros.' initial Batman film series. The film stars Michael Keaton as Bruce Wayne / Batman, alongside Jack Nicholson, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough and Jack Palance. The film takes place early in the title character's war on crime, and depicts a battle with his nemesis the Joker.

After Burton was hired as director in 1986, Steve Englehart and Julie Hickson wrote film treatments before Sam Hamm wrote the first screenplay. Batman was not greenlit until after the success of Burton's Beetlejuice (1988). Numerous A-list actors were considered for the role of Batman before Keaton was cast. Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.

The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier. Filming took place at Pinewood Studios from October 1988 to January 1989. The budget escalated from $30 million to $48 million, while the 1988 Writers Guild of America strike forced Hamm to drop out. Warren Skaaren did rewrites. Additional uncredited drafts were done by Charles McKeown and Jonathan Gems.

Batman was a critical and financial success, earning over $400 million in box office totals. It was the fifth-highest-grossing film in history at the time of its release. The film received several Saturn Award nominations and a Golden Globe nomination, and won an Academy Award. It also inspired the equally successful Batman: The Animated Series, paving the way for the DC animated universe, and has influenced Hollywood's modern marketing and development techniques of the superhero film genre. Three sequels, Batman Returns, Batman Forever and Batman & Robin, were released on June 19, 1992; June 16, 1995; and June 20, 1997 respectively.

In the late 1970s, Batman's popularity was waning. CBS was interested in producing a Batman in Outer Space film. Producers Benjamin Melniker and Michael E. Uslan purchased the film rights of Batman from DC Comics on October 3, 1979. It was Uslan's wish "to make the definitive, dark, serious version of Batman, the way Bob Kane and Bill Finger had envisioned him in 1939. A creature of the night; stalking criminals in the shadows." Richard Maibaum was approached to write a script with Guy Hamilton to direct, but the two turned down the offer. Uslan was unsuccessful with pitching Batman to various movie studios because they wanted the film to be similar to the campy 1960s TV series. Columbia Pictures and United Artists were among those to turn down the film.

A disappointed Uslan then wrote a script titled Return of the Batman to give the film industry a better idea of his vision for the film. Uslan later compared its dark tone to that of The Dark Knight Returns, which his script pre-dated by six years. In November 1979, producers Jon Peters and Peter Guber joined the project Though no movie studios were yet involved, the project was publicly announced with a budget of $15 million in July 1980 at the Comic Art Convention in New York. Warner Bros., the studio behind the successful Superman film franchise, decided to also accept and produce Batman.

Tom Mankiewicz completed a script titled The Batman in June 1983, focusing on Batman and Dick Grayson's origins, with the Joker and Rupert Thorne as villains, and Silver St. Cloud as the romantic interest. Mankiewicz took inspiration from the limited series Batman: Strange Apparitions, written by Steve Englehart. Comic book artist Marshall Rogers, who worked with Englehart on Strange Apparitions, was hired for concept art. The Batman was then announced in late 1983 for a mid-1985 release date on a budget of $20 million.

Originally, Mankiewicz had wanted an unknown actor for Batman, William Holden for James Gordon, David Niven as Alfred Pennyworth, and Peter O'Toole as the Penguin, whom Mankiewicz wanted to portray as a mobster with low body temperature. Holden died in 1981 and Niven in 1983, so this would never come to pass. A number of filmmakers were attached to Mankiewicz' script, including Ivan Reitman and Joe Dante. Reitman wanted to cast Bill Murray as Batman and Eddie Murphy as Robin.[3] Nine rewrites were performed by nine separate writers. Most of them were based on Strange Apparitions. However, it was Mankiewicz's script that was still being used to guide the project.

After the financial success of Pee-wee's Big Adventure (1985), Warner Bros. hired Tim Burton to direct Batman. Burton had then-girlfriend Julie Hickson write a new 30-page film treatment, feeling the previous script by Mankiewicz was campy. The success of The Dark Knight Returns and Batman: The Killing Joke rekindled Warner Bros.' interest in a film adaptation. Burton was initially not a comic book fan, but he was impressed by the dark and serious tone found in both The Dark Knight Returns and The Killing Joke.[

Burton approached Sam Hamm, a comic book fan, to write the screenplay. Hamm decided not to use an origin story, feeling that flashbacks would be more suitable and that "unlocking the mystery" would become part of the storyline. He reasoned, "You totally destroy your credibility if you show the literal process by which Bruce Wayne becomes Batman." Hamm replaced Silver St. Cloud with Vicki Vale and Rupert Thorne with his own creation, Carl Grissom. He completed his script in October 1986, which demoted Dick Grayson to a cameo rather than a supporting character. One scene in Hamm's script had a young James Gordon on duty the night of the murder of Bruce Wayne's parents. When Hamm's script was rewritten, the scene was deleted, reducing it to a photo in the Gotham Globe newspaper seen in the film.

Warner Bros. was less willing to move forward on development, despite their enthusiasm for Hamm's script, which Kane greeted with positive feedback. Hamm's script was then bootlegged at various comic book stores in the United States. Batman was finally given the greenlight to commence pre-production in April 1988, after the success of Burton's Beetlejuice (1988). When comic book fans found out about Burton directing the film with Michael Keaton starring in the lead role, controversy arose over the tone and direction Batman was going in. Hamm explained, "They hear Tim Burton's name and they think of Pee-wee's Big Adventure. They hear Keaton's name and they think of any number of Michael Keaton comedies. You think of the 1960s version of Batman, and it was the complete opposite of our film. We tried to market it with a typical dark and serious tone, but the fans didn't believe us." To combat negative reports on the film's production, Kane was hired as creative consultant. Batman's co-creator, Bill Finger, was uncredited at the time of the film's release and his name was not added to any Batman related media until 2016.

Parallel to the Superman casting, a who's who of Hollywood top stars were considered for the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.[20] Burton was pressured by Warner Bros. to cast an obvious action movie star, and had approached Pierce Brosnan, but he had no interest in playing a comic book character. Burton was originally interested in casting an unknown actor, and offered Ray Liotta a chance to audition after having completed Something Wild, but Liotta declined, a decision he regrets. Willem Dafoe, who was falsely reported to be considered for the Joker, had actually been considered for Batman early in development. Producer Jon Peters suggested Michael Keaton, arguing he had the right "edgy, tormented quality" after having seen his dramatic performance in Clean and Sober. Having directed Keaton in Beetlejuice, Burton agreed.

Keaton's casting caused a controversy among comic book fans,with 50,000 protest letters sent to Warner Bros. offices. Kane, Hamm, and Uslan also heavily questioned the casting. "Obviously there was a negative response from the comic book people. I think they thought we were going to make it like the 1960s TV series, and make it campy, because they thought of Michael Keaton from Mr. Mom and Night Shift and stuff like that." Keaton studied The Dark Knight Returns for inspiration. Keaton used his comedic experience for scenes such as Bruce and Vicki's Wayne Manor dinner. He called himself a "logic freak" and was concerned that Batman's secret identity would in reality be fairly easy to uncover, Keaton discussed ideas with Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman's voice at a lower register than when he was portraying Bruce Wayne, which became a hallmark of the film version of the character, with Christian Bale later using the same technique.

Burton had been impressed with the design of Neil Jordan's The Company of Wolves (1984), but was unable to hire its production designer Anton Furst for Beetlejuice as Furst had instead committed to Jordan's London-filmed ghost comedy High Spirits (1988), a choice he later regretted. A year later Burton successfully hired Furst for Batman, and they enjoyed working with each other. "I don't think I've ever felt so naturally in tune with a director," Furst said. "Conceptually, spiritually, visually, or artistically. There was never any problem because we never fought over anything. Texture, attitude and feelings are what Burton is a master at ''

Furst and the art department deliberately mixed clashing architectural styles to "make Gotham City the ugliest and bleakest metropolis imaginable". Furst continued, "We imagined what New York City might have become without a planning commission. A city run by crime, with a riot of architectural styles. An essay in ugliness. As if hell erupted through the pavement and kept on going"

Julian Caldow designed the Batmobile, Batwing and assorted bat-gadgets that were later constructed by prop builder John Evans. Keith Short sculpted the final body of the 1989 Batmobile,adding two Browning machine guns.[45] On designing the Batmobile, Furst explained, "We looked at jet aircraft components, we looked at war machines, we looked at all sorts of things. In the end, we went into pure expressionism, taking the Salt Flat Racers of the 30s and the Sting Ray macho machines of the 50s". The car was built upon a Chevrolet Impala when previous development with a Jaguar and Ford Mustang failed.

Batman grossed $2.2 million in late night previews on June 22, 1989 on 1,215 screens and grossed $40.49 million in 2,194 theaters during its opening weekend. This broke the opening weekend records held by Indiana Jones and the Last Crusade (which had a 4-day Memorial Day weekend gross of $37.0 million the previous month)

Batman was criticized by some for being too dark, but nonetheless received positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 71% based on 72 reviews, with an average rating of 6.56/10. The site's critical consensus reads, "An eerie, haunting spectacle, Batman succeeds as dark entertainment, even if Jack Nicholson's Joker too often overshadows the title character." Metacritic gives an aggregated score of 66 out of 100, based on 17 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Many observed that Burton was more interested in the Joker and the art and set production design than Batman or anything else in terms of characterization and screentime. Comic book fans reacted negatively over the Joker murdering Thomas and Martha Wayne; in the comic book, Joe Chill is responsible. Writer Sam Hamm said it was Burton's idea to have the Joker murder Wayne's parents. "The Writer's Strike was going on, and Tim had the other writers do that. I also hold innocent to Alfred letting Vicki Vale into the Batcave. Fans were ticked off with that, and I agree. That would have been Alfred's last day of employment at Wayne Manor," Hamm said.

The songs written by Prince were criticized for being "too out of place". While Burton has stated he had no problem with the Prince songs, he was less enthusiastic with their use in the film. On the film, Burton remarked, "I liked parts of it, but the whole movie is mainly boring to me. It's OK, but it was more of a cultural phenomenon than a great movie.

Description
Batman (1989 film)

( I have to admit...I was one of the naysayers about the casting of Micheal Keaton...I loved him at the time...but as Batman?!... what were they thinking....?... But he was great in that role...)

Batman is a 1989 American superhero film directed by Tim Burton and produced by Jon Peters and Peter Guber, based on the DC Comics character of the same name. It is the first installment of Warner Bros.' initial Batman film series. The film stars Michael Keaton as Bruce Wayne / Batman, alongside Jack Nicholson, Kim Basinger, Robert Wuhl, Pat Hingle, Billy Dee Williams, Michael Gough and Jack Palance. The film takes place early in the title character's war on crime, and depicts a battle with his nemesis the Joker.

After Burton was hired as director in 1986, Steve Englehart and Julie Hickson wrote film treatments before Sam Hamm wrote the first screenplay. Batman was not greenlit until after the success of Burton's Beetlejuice (1988). Numerous A-list actors were considered for the role of Batman before Keaton was cast. Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.

The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier. Filming took place at Pinewood Studios from October 1988 to January 1989. The budget escalated from $30 million to $48 million, while the 1988 Writers Guild of America strike forced Hamm to drop out. Warren Skaaren did rewrites. Additional uncredited drafts were done by Charles McKeown and Jonathan Gems.

Batman was a critical and financial success, earning over $400 million in box office totals. It was the fifth-highest-grossing film in history at the time of its release. The film received several Saturn Award nominations and a Golden Globe nomination, and won an Academy Award. It also inspired the equally successful Batman: The Animated Series, paving the way for the DC animated universe, and has influenced Hollywood's modern marketing and development techniques of the superhero film genre. Three sequels, Batman Returns, Batman Forever and Batman & Robin, were released on June 19, 1992; June 16, 1995; and June 20, 1997 respectively.

In the late 1970s, Batman's popularity was waning. CBS was interested in producing a Batman in Outer Space film. Producers Benjamin Melniker and Michael E. Uslan purchased the film rights of Batman from DC Comics on October 3, 1979. It was Uslan's wish "to make the definitive, dark, serious version of Batman, the way Bob Kane and Bill Finger had envisioned him in 1939. A creature of the night; stalking criminals in the shadows." Richard Maibaum was approached to write a script with Guy Hamilton to direct, but the two turned down the offer. Uslan was unsuccessful with pitching Batman to various movie studios because they wanted the film to be similar to the campy 1960s TV series. Columbia Pictures and United Artists were among those to turn down the film.

A disappointed Uslan then wrote a script titled Return of the Batman to give the film industry a better idea of his vision for the film. Uslan later compared its dark tone to that of The Dark Knight Returns, which his script pre-dated by six years. In November 1979, producers Jon Peters and Peter Guber joined the project Though no movie studios were yet involved, the project was publicly announced with a budget of $15 million in July 1980 at the Comic Art Convention in New York. Warner Bros., the studio behind the successful Superman film franchise, decided to also accept and produce Batman.

Tom Mankiewicz completed a script titled The Batman in June 1983, focusing on Batman and Dick Grayson's origins, with the Joker and Rupert Thorne as villains, and Silver St. Cloud as the romantic interest. Mankiewicz took inspiration from the limited series Batman: Strange Apparitions, written by Steve Englehart. Comic book artist Marshall Rogers, who worked with Englehart on Strange Apparitions, was hired for concept art. The Batman was then announced in late 1983 for a mid-1985 release date on a budget of $20 million.

Originally, Mankiewicz had wanted an unknown actor for Batman, William Holden for James Gordon, David Niven as Alfred Pennyworth, and Peter O'Toole as the Penguin, whom Mankiewicz wanted to portray as a mobster with low body temperature. Holden died in 1981 and Niven in 1983, so this would never come to pass. A number of filmmakers were attached to Mankiewicz' script, including Ivan Reitman and Joe Dante. Reitman wanted to cast Bill Murray as Batman and Eddie Murphy as Robin.[3] Nine rewrites were performed by nine separate writers. Most of them were based on Strange Apparitions. However, it was Mankiewicz's script that was still being used to guide the project.

After the financial success of Pee-wee's Big Adventure (1985), Warner Bros. hired Tim Burton to direct Batman. Burton had then-girlfriend Julie Hickson write a new 30-page film treatment, feeling the previous script by Mankiewicz was campy. The success of The Dark Knight Returns and Batman: The Killing Joke rekindled Warner Bros.' interest in a film adaptation. Burton was initially not a comic book fan, but he was impressed by the dark and serious tone found in both The Dark Knight Returns and The Killing Joke.[

Burton approached Sam Hamm, a comic book fan, to write the screenplay. Hamm decided not to use an origin story, feeling that flashbacks would be more suitable and that "unlocking the mystery" would become part of the storyline. He reasoned, "You totally destroy your credibility if you show the literal process by which Bruce Wayne becomes Batman." Hamm replaced Silver St. Cloud with Vicki Vale and Rupert Thorne with his own creation, Carl Grissom. He completed his script in October 1986, which demoted Dick Grayson to a cameo rather than a supporting character. One scene in Hamm's script had a young James Gordon on duty the night of the murder of Bruce Wayne's parents. When Hamm's script was rewritten, the scene was deleted, reducing it to a photo in the Gotham Globe newspaper seen in the film.

Warner Bros. was less willing to move forward on development, despite their enthusiasm for Hamm's script, which Kane greeted with positive feedback. Hamm's script was then bootlegged at various comic book stores in the United States. Batman was finally given the greenlight to commence pre-production in April 1988, after the success of Burton's Beetlejuice (1988). When comic book fans found out about Burton directing the film with Michael Keaton starring in the lead role, controversy arose over the tone and direction Batman was going in. Hamm explained, "They hear Tim Burton's name and they think of Pee-wee's Big Adventure. They hear Keaton's name and they think of any number of Michael Keaton comedies. You think of the 1960s version of Batman, and it was the complete opposite of our film. We tried to market it with a typical dark and serious tone, but the fans didn't believe us." To combat negative reports on the film's production, Kane was hired as creative consultant. Batman's co-creator, Bill Finger, was uncredited at the time of the film's release and his name was not added to any Batman related media until 2016.

Parallel to the Superman casting, a who's who of Hollywood top stars were considered for the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.[20] Burton was pressured by Warner Bros. to cast an obvious action movie star, and had approached Pierce Brosnan, but he had no interest in playing a comic book character. Burton was originally interested in casting an unknown actor, and offered Ray Liotta a chance to audition after having completed Something Wild, but Liotta declined, a decision he regrets. Willem Dafoe, who was falsely reported to be considered for the Joker, had actually been considered for Batman early in development. Producer Jon Peters suggested Michael Keaton, arguing he had the right "edgy, tormented quality" after having seen his dramatic performance in Clean and Sober. Having directed Keaton in Beetlejuice, Burton agreed.

Keaton's casting caused a controversy among comic book fans,with 50,000 protest letters sent to Warner Bros. offices. Kane, Hamm, and Uslan also heavily questioned the casting. "Obviously there was a negative response from the comic book people. I think they thought we were going to make it like the 1960s TV series, and make it campy, because they thought of Michael Keaton from Mr. Mom and Night Shift and stuff like that." Keaton studied The Dark Knight Returns for inspiration. Keaton used his comedic experience for scenes such as Bruce and Vicki's Wayne Manor dinner. He called himself a "logic freak" and was concerned that Batman's secret identity would in reality be fairly easy to uncover, Keaton discussed ideas with Burton to better disguise the character, including the use of contact lenses. Ultimately, Keaton decided to perform Batman's voice at a lower register than when he was portraying Bruce Wayne, which became a hallmark of the film version of the character, with Christian Bale later using the same technique.

Burton had been impressed with the design of Neil Jordan's The Company of Wolves (1984), but was unable to hire its production designer Anton Furst for Beetlejuice as Furst had instead committed to Jordan's London-filmed ghost comedy High Spirits (1988), a choice he later regretted. A year later Burton successfully hired Furst for Batman, and they enjoyed working with each other. "I don't think I've ever felt so naturally in tune with a director," Furst said. "Conceptually, spiritually, visually, or artistically. There was never any problem because we never fought over anything. Texture, attitude and feelings are what Burton is a master at ''

Furst and the art department deliberately mixed clashing architectural styles to "make Gotham City the ugliest and bleakest metropolis imaginable". Furst continued, "We imagined what New York City might have become without a planning commission. A city run by crime, with a riot of architectural styles. An essay in ugliness. As if hell erupted through the pavement and kept on going"

Julian Caldow designed the Batmobile, Batwing and assorted bat-gadgets that were later constructed by prop builder John Evans. Keith Short sculpted the final body of the 1989 Batmobile,adding two Browning machine guns.[45] On designing the Batmobile, Furst explained, "We looked at jet aircraft components, we looked at war machines, we looked at all sorts of things. In the end, we went into pure expressionism, taking the Salt Flat Racers of the 30s and the Sting Ray macho machines of the 50s". The car was built upon a Chevrolet Impala when previous development with a Jaguar and Ford Mustang failed.

Batman grossed $2.2 million in late night previews on June 22, 1989 on 1,215 screens and grossed $40.49 million in 2,194 theaters during its opening weekend. This broke the opening weekend records held by Indiana Jones and the Last Crusade (which had a 4-day Memorial Day weekend gross of $37.0 million the previous month)

Batman was criticized by some for being too dark, but nonetheless received positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 71% based on 72 reviews, with an average rating of 6.56/10. The site's critical consensus reads, "An eerie, haunting spectacle, Batman succeeds as dark entertainment, even if Jack Nicholson's Joker too often overshadows the title character." Metacritic gives an aggregated score of 66 out of 100, based on 17 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Many observed that Burton was more interested in the Joker and the art and set production design than Batman or anything else in terms of characterization and screentime. Comic book fans reacted negatively over the Joker murdering Thomas and Martha Wayne; in the comic book, Joe Chill is responsible. Writer Sam Hamm said it was Burton's idea to have the Joker murder Wayne's parents. "The Writer's Strike was going on, and Tim had the other writers do that. I also hold innocent to Alfred letting Vicki Vale into the Batcave. Fans were ticked off with that, and I agree. That would have been Alfred's last day of employment at Wayne Manor," Hamm said.

The songs written by Prince were criticized for being "too out of place". While Burton has stated he had no problem with the Prince songs, he was less enthusiastic with their use in the film. On the film, Burton remarked, "I liked parts of it, but the whole movie is mainly boring to me. It's OK, but it was more of a cultural phenomenon than a great movie.