Comments: 32
young-princess [2008-03-14 20:18:39 +0000 UTC]
Was it autumn or spring?
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luckystars [2007-10-03 03:07:16 +0000 UTC]
What will happen when time zero film really is gone? What will you do?
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equivoque In reply to luckystars [2007-10-03 06:32:51 +0000 UTC]
die a painful, horrible death
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luckystars In reply to equivoque [2007-10-03 20:54:05 +0000 UTC]
do you have a ton of it stocked up?
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luckystars In reply to equivoque [2007-10-04 03:26:19 +0000 UTC]
*cries*
i've never even gotten to use any.
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Wysseri [2007-09-24 18:33:12 +0000 UTC]
Again, I get the feeling you might just be the master of innocence! [:
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99thbone [2007-09-14 09:24:10 +0000 UTC]
the colours always intensify the frame -- into seeing more than the usual -- like the randomness of the moment created -- always remembered -- later days
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equivoque In reply to 99thbone [2007-09-15 03:56:39 +0000 UTC]
thanks. i had a special connection with this photo.
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mrockwood [2007-09-14 09:07:38 +0000 UTC]
It strange to watch someone else's children grow up in photographs.
M
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Rishnai In reply to equivoque [2007-09-22 06:32:31 +0000 UTC]
I, for one, saw the surreal element first. But I must concur with everyone else, it looks very much like a portrait the longer one looks at it. I've noticed that the valuability of the film and the irrevokability in each shot means that every photo taken with it has that much more meaning. I don't think this would be nearly as overwhelmingly surreal for me without the specific colors of the specific film.
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Rishnai In reply to equivoque [2007-09-23 05:48:54 +0000 UTC]
A tragedy indeed. You should have seen the way I spazzed out when I heard they were discontinuing 126. But your time-zero work is a lot more interesting than 99% of what I could even aspire to when I was shooting 126.
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mrockwood In reply to equivoque [2007-09-15 12:47:16 +0000 UTC]
Closeness to the subject. You photograph them constantly as mothers do. The closeness of them when the urge to shoot hits explains much. But, none the less, the result is that wonderful side effect which plagues and pleases; work taking on a life of its own. If, after you're gone, a curator collects and writes about your work, it will be from the angle of a mother's loving photographic presence in the lives of her children and all that can imply with a footnote about the surreality of their forms in the color of Time-Zero.
Mark
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equivoque In reply to mrockwood [2007-09-18 00:19:45 +0000 UTC]
i don't think i'll have a biographer or curator. i don't even think i stand a chance of getting a book of time-zero shots put together and published. i learned from +cweeks how much money a photographer has to put up for her/his own book! anyway, love the comment. i am as close to the medium in this case as to the photographic subject (not as to the actual kids, of course, to whom i am much closer). thanks.
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frescendine [2007-09-13 18:34:50 +0000 UTC]
Very intense shot...
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equivoque In reply to frescendine [2007-09-15 03:58:01 +0000 UTC]
thanks, that's how i felt about it too.
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equivoque In reply to Valimar [2007-09-17 02:23:14 +0000 UTC]
i'm incredibly late on this comment! thanks.
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lorseau [2007-09-13 16:23:01 +0000 UTC]
lovely ;o)
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whothennow24 [2007-09-13 16:07:38 +0000 UTC]
That's true, they do seem like happy kids. I've noticed that too. And they're so beautiful!
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rhapsouldize [2007-09-13 15:54:59 +0000 UTC]
your children are beautiful. they seem like such happy kids!
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