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Description
If you're following this series in order, click here next . For more information on the entire series, read the "'Demon's Due' Defined" journal entry here [link] or the "'Demon's Due' Plus" journal entry here [link] .

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Outside the mirror's chamber, Elina finds her path diverges between two open doors and a darkened corridor. Both doorways are lit by a soft glow in whatever chambers lie beyond. She opts first for the left, her mind struggling to map her progress through the labyrinth in which she is still trapped. But as she peers into a large storeroom, the Scholar sighs in relief that she is confronted by neither mischievous Wormloat Gremlin nor brutish undead. Instead, she finds a curious collection of oddities placed in a corner. Some of the items appear to have been haphazardly discarded, while others were obviously carefully arranged. As is her wont, the Scholar concentrates behind the objects themselves, searching for some pattern in their placement. Why these items, and why here?

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Astute observers will note the doorway through which Elina is entering is the same one through which Jervil entered to find Annalae trapped in the net at the end of Catcall.

Elina's stock model is Emily at ~Feathered-pics She's given me some fantastic imagery for this sequence and those that follow. If you like what you see, please let her know. Thanks, Emily!

Enjoy!

Description
If you're following this series in order, click here next . For more information on the entire series, read the "'Demon's Due' Defined" journal entry here [link] or the "'Demon's Due' Plus" journal entry here [link] .

***********************************************

Outside the mirror's chamber, Elina finds her path diverges between two open doors and a darkened corridor. Both doorways are lit by a soft glow in whatever chambers lie beyond. She opts first for the left, her mind struggling to map her progress through the labyrinth in which she is still trapped. But as she peers into a large storeroom, the Scholar sighs in relief that she is confronted by neither mischievous Wormloat Gremlin nor brutish undead. Instead, she finds a curious collection of oddities placed in a corner. Some of the items appear to have been haphazardly discarded, while others were obviously carefully arranged. As is her wont, the Scholar concentrates behind the objects themselves, searching for some pattern in their placement. Why these items, and why here?

***********************************************

Astute observers will note the doorway through which Elina is entering is the same one through which Jervil entered to find Annalae trapped in the net at the end of Catcall.

Elina's stock model is Emily at ~Feathered-pics She's given me some fantastic imagery for this sequence and those that follow. If you like what you see, please let her know. Thanks, Emily!

Enjoy!