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Description

I went through a week, around, of only having the kinds of drawing ideas which would attract the crazies (military stuff chiefly).

After that, I took ideas which had been developing in my notes for months and spent multiple hours last night drawing them. I worry that the effect wasn't right due to my mood at the time not being in touch with the drawings.

These are for a later location in 2-III-C-Delta-Gimmel, an agricultural dome which sacrificed strict efficiency to develop a middle-class resort economy in the form of a Norman beach town; yachting and other nautical sports from the beach, spas and the like in town, chalets in the surrounding countryside either rented or bought by Huxleyan bourgeoisie as summer homes, probably a nearby boarding school (I always have to pastiche Kazeki at some level), and an ultramodern garden supercomplex built as the seat of the House of Castiglioni, in deliberate defiance of and spite towards the conservative, historicist visual tastes of Huxley III.

These are important because in my notes, Girolamo di Tripoli moved his house's baronial seat to a Second Empire-style mansion on the far outskirts of town. In his further descent into fascist psychotic violence, Giro's comparably sane wife, Mildred Wilcox Torpenhow Tripoli, is moving the family's chief industries away from meatpacking, as industrial work is becoming increasingly less lucrative in the inner core of the Huxley III Dome System, in favor of real estate; selling the factories, buying the chalets, and either selling or leasing them to willing customers. As Huxley III's society's disposable income collapses further, this industry is becoming more and more exclusive to the point that often, the only customers are other investors, but for the time being it produces short term gain.

Description

I went through a week, around, of only having the kinds of drawing ideas which would attract the crazies (military stuff chiefly).

After that, I took ideas which had been developing in my notes for months and spent multiple hours last night drawing them. I worry that the effect wasn't right due to my mood at the time not being in touch with the drawings.

These are for a later location in 2-III-C-Delta-Gimmel, an agricultural dome which sacrificed strict efficiency to develop a middle-class resort economy in the form of a Norman beach town; yachting and other nautical sports from the beach, spas and the like in town, chalets in the surrounding countryside either rented or bought by Huxleyan bourgeoisie as summer homes, probably a nearby boarding school (I always have to pastiche Kazeki at some level), and an ultramodern garden supercomplex built as the seat of the House of Castiglioni, in deliberate defiance of and spite towards the conservative, historicist visual tastes of Huxley III.

These are important because in my notes, Girolamo di Tripoli moved his house's baronial seat to a Second Empire-style mansion on the far outskirts of town. In his further descent into fascist psychotic violence, Giro's comparably sane wife, Mildred Wilcox Torpenhow Tripoli, is moving the family's chief industries away from meatpacking, as industrial work is becoming increasingly less lucrative in the inner core of the Huxley III Dome System, in favor of real estate; selling the factories, buying the chalets, and either selling or leasing them to willing customers. As Huxley III's society's disposable income collapses further, this industry is becoming more and more exclusive to the point that often, the only customers are other investors, but for the time being it produces short term gain.