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Description
Let me get this straight. My name is Atlas, and I'm holding up the world on my back.

Why am I barefoot? How does this help women's liberation again?

It seems once you book studio time and get your model in there, your plans might shift when the shutter meets the film. I had set up to do a portrait, but we got a bit out of touch trying different poses and positions. She was wonderful, helpful with many suggestions, but we still winged it.

Maybe it got out of hand, but no mimes were injured.

Taken with my Zeiss Contarex with 55mm F1.4 Planar on Kodak Tri-X 135mm panchromatic film in the late 1960s.

Feel free to download, just give me photo credit.
.
eugene spiegel

From the same session.

Description
Let me get this straight. My name is Atlas, and I'm holding up the world on my back.

Why am I barefoot? How does this help women's liberation again?

It seems once you book studio time and get your model in there, your plans might shift when the shutter meets the film. I had set up to do a portrait, but we got a bit out of touch trying different poses and positions. She was wonderful, helpful with many suggestions, but we still winged it.

Maybe it got out of hand, but no mimes were injured.

Taken with my Zeiss Contarex with 55mm F1.4 Planar on Kodak Tri-X 135mm panchromatic film in the late 1960s.

Feel free to download, just give me photo credit.
.
eugene spiegel

From the same session.