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JohnPatience — More Aubeterre

Published: 2009-11-11 17:09:03 +0000 UTC; Views: 3171; Favourites: 142; Downloads: 0
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Description Ink and Pastel
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Comments: 55

JohnPatience In reply to ??? [2010-05-10 08:08:19 +0000 UTC]

Thank you.

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like-music-to-me In reply to JohnPatience [2010-05-10 09:23:39 +0000 UTC]

^^

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JohnPatience [2009-12-01 10:37:03 +0000 UTC]

Ah yes I've done my share of siting on the street sketching when I was a lad. That was great at the time, but these days I do work from photographs, and providing I have taken the pic myself I'm happy with that means of production.

Thanks for your comment and the faves.

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dreamleaf [2009-12-01 04:29:41 +0000 UTC]

Love it! Reminds me of these day when I used to sit on the street and draw something that caches my eye, often little curvy streets and old buildings. I was in art school and we weren't aloud to draw from photograph, so I had to deal with all the people walking around and asking questions. He-he, fun times!

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Jumbi [2009-11-24 23:57:56 +0000 UTC]

The scene is very detailed and beautiful. How long did it take you to fill everything in?

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JohnPatience In reply to Jumbi [2009-11-25 16:08:52 +0000 UTC]

Hi I'm glad you like the pic. It took rather a long time but then again I was in no hurry.

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alperoz49 [2009-11-23 16:33:09 +0000 UTC]

OMG lovely !! what an amazing drawing this is !! as always from u

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JohnPatience In reply to alperoz49 [2009-11-23 19:11:19 +0000 UTC]

Thank you for your kind words, they are appreciated.

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krittermaker [2009-11-21 01:24:27 +0000 UTC]

oh I just love the angle and depth very amazing!!

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JohnPatience In reply to krittermaker [2009-11-21 17:23:29 +0000 UTC]

Thanks for your nice comment. Glad you like it.

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Rhopalocera [2009-11-17 00:45:15 +0000 UTC]

Amazing, how u came to those details, so fine work*

, ur goood at this

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JohnPatience In reply to Rhopalocera [2009-11-17 15:34:18 +0000 UTC]

That's kind of you. Thank you very much.

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tiamat9 [2009-11-15 15:38:48 +0000 UTC]

Exquisite details and fine tones. I love the style and perspective. Complex and elegant.

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JohnPatience In reply to tiamat9 [2009-11-15 16:57:39 +0000 UTC]

Thanks for your kind remarks and for the fave

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tiamat9 In reply to JohnPatience [2009-11-17 14:52:53 +0000 UTC]

You're welcome.

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FantasyLost [2009-11-15 06:43:50 +0000 UTC]

Could you please tell me how you keep everything in their correct proportions, so that the building stays square and each stair tread has the right width, etc.? (I'm sure there is a better term for this, but I don't know the proper artistic terminology.) Tutorials I've seen to do this in Photoshop have you laying out angles in a grid first so you don't end up with buildings leaning over like the Tower of Pisa. Do you draw the scene without guiding lines of any kind?

You have a real flair for this type of illustration. If you ever travel to Italy or Greece, it would be nice to see some of your sketches of those areas, too

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JohnPatience In reply to FantasyLost [2009-11-15 10:53:12 +0000 UTC]

You may regard this has cheating but rather than sit in the street be in everyone's way and have to put up with inquisitive people looking over my shoulder, I have taken to working from photographs. I pin the photograph up in front of me and convince myself that I am looking at the real thing.

I don't square up the photograph , I would find that process very boring.The first stage of a drawing is definitively largely a matter of measuring but I do this by eye. Probably the first thing I determined was that the left hand corner of the little door as we look at it would be the center of the pic. From there I was able to work out where that sliver of light at the top of the stairs fell the width of the shadow below it and so on and so on. All these things are put in with the feint pencil guiding lines you mentioned, but there is no need to draw every step and stone in pencil, I think that would kill any spontaneity in the finished work. The thing is always to work out the big shapes and the perspective first, and then move on to progressively smaller details. Don't rush the measuring process because it's the framework on which you will build and it needs to be as good as you can get it. There doesn't want to be a lot of detail in it though, very important that.If you counted the steps at this place you would see that I had drawn one to few. I don't think this matters at all because the picture is a thing in it's own right.

When you've done that hard work you can get into the fun stuff of building up light and texture.

Yes it would be lovely to draw in Italy and Greeece but you know I feel that I'm only just scratching the surface of France, Watch this space.

Thanks for your comment Marilyn, always nice to hear from you.

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FantasyLost In reply to JohnPatience [2009-11-16 08:07:26 +0000 UTC]

Thanks so much for taking the time to provide all of this very useful information. I'm sure it will be quite valuable for budding artists viewing your picture! I've no problem with anyone's working from photos, though I admit that I had pictured you sitting in the sunshine with your easel set up or a drawing tablet in your lap sketching your lovely scenes and so was a little disappointed to have to erase that rather idyllic scene and replace it with the inside of an artist's studio . Unless you're documenting a scene as reference material, I think it's good to customize your drawing or painting to create something different from the original. Otherwise, one might just as well simply keep the photograph and skip the drawing.

I followed your instructions along with your drawing (one of the pleasures of working with the browser tabs) and that gave me a very good idea of your work process. In a way it's like creating a digital drawing without any layers, which makes it much more important not to make mistakes! Otherwise, you might have to cover up some errors with potted plants

France is a very beautiful and enchanting country which I'm sure will provide you with endless possibilities for sketching. I have a friend who travels there and sends me postcards from time to time in french describing in detail everything she sees and does, and it truly sounds quite wonderful. I keep trying to learn french so I can read her cards but will have to say it's rather slow going for someone like me who is a bit language challenged. I suggested Italy and Greece only because they represent warmth and sunshine to me! Right now, as we begin another seven or eight months of cold weather, that's just where I'd like to be

I very much look forward to seeing more of your sketches!

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JohnPatience In reply to FantasyLost [2009-11-16 17:23:35 +0000 UTC]

I'm sorry to have shattered the illusion of the outdoor artist at one with nature and all that. But I'm pleased that you found my outlining of my drawing process of some interest.

Ah yes winter approaches. Snow is quite rare in this part of France, it's the high winds that worry me. Last winter we had a hurricane and we lost part of our roof. I hope we don't get a repeat performance this year.

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Boggleboy [2009-11-14 03:21:10 +0000 UTC]

Wonderful! What is this place? Is it an actual location?

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JohnPatience In reply to Boggleboy [2009-11-14 16:06:09 +0000 UTC]

Yes Aubeterre is a real little town and I consider myself very lucky to have it on my doorstep. It's full of nice things to make pictures of.

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Boggleboy In reply to JohnPatience [2009-11-14 17:21:06 +0000 UTC]

You are a lucky man sir.

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Ann-McLaren [2009-11-13 12:15:46 +0000 UTC]

I love that stairway.

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JohnPatience In reply to Ann-McLaren [2009-11-13 13:07:03 +0000 UTC]

Thanks.
Aubeterre is a wonderful place and there are still a good number of things for me to draw there. I found this stairway irresistible.

Thanks for the faves on this and on A Twisted Tale.

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Ann-McLaren In reply to JohnPatience [2009-11-13 13:56:44 +0000 UTC]

You are most welcome.

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Shadowjoe [2009-11-12 20:29:43 +0000 UTC]

very nice work. great skills.

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JohnPatience In reply to Shadowjoe [2009-11-13 13:12:34 +0000 UTC]

Thank you very much.

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Shadowjoe [2009-11-12 20:29:40 +0000 UTC]

very nice work. great skills.

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TwilightMadness [2009-11-12 10:18:18 +0000 UTC]

Great work, the details are amazing

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JohnPatience In reply to TwilightMadness [2009-11-12 11:09:46 +0000 UTC]

Thank you for your nice comment. Much appreciated.

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Doomality [2009-11-12 03:13:39 +0000 UTC]

This is awesome! I love the stone wall and the plants and the shadows...just everything!

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JohnPatience In reply to Doomality [2009-11-12 11:08:59 +0000 UTC]

Thank you. The textures of the wall and the plants are the things which encouraged me to make the picture. I thought it would be difficult to fail with such nice stuff to work with.

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MaskedVengeance [2009-11-11 23:45:17 +0000 UTC]

This really is amazing. Brilliant style, perspective and composition.

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JohnPatience In reply to MaskedVengeance [2009-11-12 10:59:14 +0000 UTC]

Thank you.

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Shellbug [2009-11-11 22:18:02 +0000 UTC]

Thats beautiful.

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JohnPatience In reply to Shellbug [2009-11-11 22:20:29 +0000 UTC]

Thanks, I'm pleased that you like it.

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Shellbug In reply to JohnPatience [2009-11-12 15:47:43 +0000 UTC]

you are very welcome.

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gutydecadi [2009-11-11 18:30:39 +0000 UTC]

Impresionante, muy bueno

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JohnPatience In reply to gutydecadi [2009-11-11 18:38:00 +0000 UTC]

Muchas gracias

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Sir-Pumpkinhead In reply to JohnPatience [2009-11-12 05:36:45 +0000 UTC]


John, since when do you know spanish and hadn't told me? You should be ashamed, you've been pretending to be British and all this time you were a Spaniard? What has this world come to?
...
Just joking ^-^

Beautiful scenery, by the way. The warm color was an excellent choice Also, did you apply ink first or later?

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JohnPatience In reply to Sir-Pumpkinhead [2009-11-12 11:24:52 +0000 UTC]

Mi hablar espanol fue totalmente accidental. Actually the Patience family is rumored to originate from Spain.

I worked with ink and pastel together, pen in one hand pastel in the other. Not really but you know what I mean.

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Sir-Pumpkinhead In reply to JohnPatience [2009-11-14 20:42:38 +0000 UTC]


Well, you wrote it quite well
Really? That's interesting to read Will remember it for further conversation topics

Sure Sometimes it just comes naturally to work with the tools at hand and not overthink the process (wish I'd be less of a thinker and got into it instead of worrying to much ).

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mdandree [2009-11-11 17:27:33 +0000 UTC]

WOW! I love it! Excellent perspective!

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JohnPatience In reply to mdandree [2009-11-11 17:32:08 +0000 UTC]

Thanks Mark. I find half the battle in making a picture is in choosing the place and the angle from which to draw it.

Thanks also for the fave.

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mdandree In reply to JohnPatience [2009-11-11 17:36:11 +0000 UTC]

You're very welcome. There are many artists who can draw but have no conception how to use the right angle.

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theWulffmann [2009-11-11 17:12:40 +0000 UTC]

Beautiful details! And the sephia like colour in the piece makes it stand even more out.

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JohnPatience In reply to theWulffmann [2009-11-11 17:28:14 +0000 UTC]

Thanks. I find it works better for me, when I paint/draw realistic stuff, if I limit the color in this way.

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theWulffmann In reply to JohnPatience [2009-11-11 21:57:07 +0000 UTC]

It surely have a nice effect to it!
And I've seen your gallery, you sure like to use colours.

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JohnPatience In reply to theWulffmann [2009-11-11 22:18:28 +0000 UTC]

Yes you're right,I do love color.

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theWulffmann In reply to JohnPatience [2009-11-13 17:59:16 +0000 UTC]

Colours are nice.. Very addictive.. And it's an art form itself to do pieces with colours..

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