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Kagaya — Half Cadence - pages 3-4
Published: 2006-06-15 23:45:54 +0000 UTC; Views: 3447; Favourites: 31; Downloads: 481
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Description
During this spring and summer, I'm putting together a bunch of short mangas to introduce my own characters and stories and the like. This is page 3 & 4 of 6 of story two. I love my original characters, and I hope you like them too!Girls Who Like Guys Together
Page 1: [link] | Page 2: [link] | Page 3: [link] | Page 4: [link] | Page 5: [link]
Half Cadence
Page 1 & 2: [link] | Page 3 & 4: [link] | Page 5 & 6: [link]
definition: Soul Junction
Page 1 - 6: [link]
Library...
Page 1 & 2: [link] | Page 3 & 4: [link] | Page 5 & 6: [link] | Page 7 & 8: [link]
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Comments: 26
*hug* I have found a new pastime...*drools over Ryan* Me like your art! :3
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Hahaha, Glare of Doom much? Another thing I notice about your comic is that you've got a lot of toning. Not so much that it becomes a distraction, but enough to see that you put a lot of work into each page.
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Haha! Too bad Ryan hasn't perfected the Glare of Doom yet. It does nothing to Sol, other than 'he seems little upset. oh well.' It's good to know that the toning isn't too distracting. I wasn't sure, since... working on it for a while sorta makes you not see things like that as easily. Thanks a lot.
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I see Sol knows what his priorities are. And how to read every tone in Ryan's voice. *loves*
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*nod* He'd be his best friend if Ryan lets him ^_~
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Once more, very nice flow from panel to panel, very well thought out. The poses and shading are again fabulous. I envy how nicely the hands look... ;_; *hands are the bane of her existence art-wise*
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Heh, I practice drawing my hands a lot 'cause they're right there ^_^; Thanks again!
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lol no matter how hard I practice, they don't seem to get any better
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Hm, I heard some tips before that seem to work. Not like they're tricks exactly, but .... um... try drawing a hand without thinking of it as a hand, or as anything. Because when you do, you start thinking stuff like 'nails should go here, bones should go here etc. What I try to do is look at it in terms of angles, curves, and lines... and what length to make my strokes etc. And I focus on what relation the shapes make to each other without focusing on the object itself as an object, if that makes sense.
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It makes sense and is explained alot better then one of my art teachers could ever do 
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You're welcome. I suspect it's because at lot of teachers try to make the message short and easy to remember for their students, which sometimes makes the lesson too abstract.
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Or the teacher's just too lazy ~_~;
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Yay more awesome goodness!
Are they "together"? .o.
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They're roommatess in university. I wouldn't know if they're together otherwise ^_~ Ryan's too private to tell.
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Phfft, he should. In fact.. they should just start having lovely boy sex right now. *waits* = D
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Aren't you affraid that pirates are going to come and kill you?
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Pirates? Do you mean art thieves? If so, yes, but I have all the prelim sketches and multiple files of the work, so if I need to sue anyone, I could. And these are characters I will keep working on, so when they actually do get published, no one can say they're not mine. I have a whole lot of other reasons, but.. ah... well.
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Uh oh, i have actually allways though about this, actually if you are planning to publish something, if someone would use them before you, what could actually scetches weight in court, it isn't to say a direct proof.Maybe they could prove the age of the paper and ink to prove those are first ones.
But othervice im paranoid about DA, in wikipedia they actually were a bit sceptic of ownership here, because in a way DA owns your art here althought you are owner too, it's a gray are and worrying one i tell you.Do you remember the hell of a long licence agreement you signed when starting in here...
maybe one should read it again with a care...
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License agreements are on all other art sites too. It's not specifically a dA problem.
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They can prove the age of the paper etc. And dA's cleared up that I do indeed own my work in their long licence agreement. Thank you for your concern.
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