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MJWilliam — Mischievous Joy
Published: 2006-08-16 14:32:08 +0000 UTC; Views: 3350; Favourites: 55; Downloads: 31
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Description
A commissioned piece based on Japanese singer Ayumi Hamasaki. Oil on illustration board, 18x24". Closeups available here: [link]Also, a step-by-step available here: [link] (click on "oils")
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Comments: 21
Hehe, I don't know what to say about this piece technically. We all know it looks great. I guess that I'll just say that it makes me happy, and leave it at that.
+Fave
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I love how you detail fabric. This is really beautiful! The colors are just so vibrant and perfect. I enjoyed looking at the step by step too. Great work!
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i dont remember if i already commented but wow... and i went to the link of the tutorials and your site, totally inspiring, ty so much for sharing and for taking the time and effort to explain, it is absolutely priceless, ty ty ty
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I'm back 
Do you think oils would work on cold press watercolor paper? i got some reeves oils a very small collection i have been told it's not a good brand but since i don't have much experience with them i didn't want to spend too much money until i got the handle of them,i have canvas sheets from fedrix and dont like it as much when i tried it with acrylics it drove me insane, but i was wondering if oils would work on watercolor paper .
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Hi Kat, glad you liked the tutorials!
I never work layers wet in wet. I may work wet in wet on an existing layer (such as if in the kimono, I added the gold flowers while the blue background was still wet). But yes, for skin tones I wait for each layer to dry first. I use Winsor & Newton's odorless paint thinner (not oil solvent). I've tried other solvents like linseed oil, and they were all a pain in the neck. The drying times are really quick with what I use. Two days tops. I should also add that it's often affected by humidity. When we had those really humid days recently, the drying times were longer (up to four to five days). And of course, the thickness of the layer also affects how fast it dries. A thin preliminary layer can actually dry in a day. Now, a lot of people don't like petroleum solvents because of the chemical/odor factor and the disposal hazards. But really, if you choose the right kind, use it correctly (lot of ventilation) and dispose of it correctly (never pour in the sink!!) then it shouldn't be a problem.
To answer your second question, I wouldn't recommend it. Generally, it's not a good idea to use a surface for a media it wasn't made for. When you use oils they seep through the surface much like if you put a drop of oil on a cloth it's going to seep through to whatever's underneath. So you need a really sturdy surface for oil, something that won't fall apart and can take a lot of abuse. Canvas is good if you like textured look. Illustration boards are best if you like smooth look. I use a 40-ply one, which is really thick, but you can use a thin one with confidence. They're quite cheap - maybe $1 a board, $1.50 max. Maybe a watercolor block would work too, I've never tried it. I've never tried it on watercolor paper either, but I'm pretty sure it just isn't thick enough.
Best of luck! I have a feeling you would do great work with oils. Just give yourself some time to get a hang of it.
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thank you maria so much
the board prices sound awesome i didn't realize they were so cheap i will definitely look for them and try it there because i like the smooth look too,
i will have your tutorial in handy thats for sure
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BEAUTIFUL!! i remember seeing a wip of this and i love the little girl in her eyes it's so magical,i'm off to check out the the tutorial!!! 
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awesome details! i love everything about this piece. the images inside the pupils are a great touch.
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AWesome pic! I really like all the details you added especially the way you have the boy's reflection in the woman's eyes and the way you did the design on the fingernal!
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Wow, it's stunning, a big oil painting, I love oils even if I'm not so good as you.
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