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Description
this is a portait I did of Robert Johnson, the delta blues legend.
I was inspired by the roumor or legend that bears his name:

"Those who saw Johnson play may have also heard the rumors. Like anyone possessing extraordinary talent and skill, jealous peers circulated vicious rumors about Johnson. In fact, it was the great Son House who stated "He sold his soul to play like that".

Johnson's peculiarities added to the rumors. Some fans thought that he had the "evil eye". Actually, he suffered from a small cataract. Also, it has been reported that Johnson turned from the audience while playing, and would leave suddenly from a performance, sometimes even during breaks in his set. While today such actions are not considered odd, In those days they were. Many people took it to mean that he was a man with something to hide.

In reality, Johnson was doing some things that great musicians still do today. It is common to leave a performance in order to avoid mob scenes and the repetitive company that one keeps after a show. Edward Van Halen also would turn from the crowd during club shows- to hide his technique from other guitarists.

Johnson's choice of instructor did nothing to slow the Legend from spreading. This instructor, Ike Zinnerman, supposedly learned to play the guitar at night sitting atop tombstones in old country churchyards.

In southern black communities it was a well-known notion that one could go to the crossroads and sell one's soul to the devil. The concept dates back to African Folklore. The diety Esu was believed to be the guardian of the crossroads, and was an intermediate between gods and humans. When Christianity was brought to African Culture, these pagan gods were labeled as being similar to the devil. Hence, the concept that one could find the devil at a crossroad. In celtic tradition, the bodies of the unholy were buried outside of town near crossroads to preserve consecrated ground.

Witchcraft and the devil are prominent topics in early blues. Johnson's lyrics are no exception. With songs like "Hell-Hound On My Trail", "Me And The Devil Blues" and "Cross Road Blues", it is no wonder that he caused such wild speculation." - taken from the Robert Johnson website.

Description
this is a portait I did of Robert Johnson, the delta blues legend.
I was inspired by the roumor or legend that bears his name:

"Those who saw Johnson play may have also heard the rumors. Like anyone possessing extraordinary talent and skill, jealous peers circulated vicious rumors about Johnson. In fact, it was the great Son House who stated "He sold his soul to play like that".

Johnson's peculiarities added to the rumors. Some fans thought that he had the "evil eye". Actually, he suffered from a small cataract. Also, it has been reported that Johnson turned from the audience while playing, and would leave suddenly from a performance, sometimes even during breaks in his set. While today such actions are not considered odd, In those days they were. Many people took it to mean that he was a man with something to hide.

In reality, Johnson was doing some things that great musicians still do today. It is common to leave a performance in order to avoid mob scenes and the repetitive company that one keeps after a show. Edward Van Halen also would turn from the crowd during club shows- to hide his technique from other guitarists.

Johnson's choice of instructor did nothing to slow the Legend from spreading. This instructor, Ike Zinnerman, supposedly learned to play the guitar at night sitting atop tombstones in old country churchyards.

In southern black communities it was a well-known notion that one could go to the crossroads and sell one's soul to the devil. The concept dates back to African Folklore. The diety Esu was believed to be the guardian of the crossroads, and was an intermediate between gods and humans. When Christianity was brought to African Culture, these pagan gods were labeled as being similar to the devil. Hence, the concept that one could find the devil at a crossroad. In celtic tradition, the bodies of the unholy were buried outside of town near crossroads to preserve consecrated ground.

Witchcraft and the devil are prominent topics in early blues. Johnson's lyrics are no exception. With songs like "Hell-Hound On My Trail", "Me And The Devil Blues" and "Cross Road Blues", it is no wonder that he caused such wild speculation." - taken from the Robert Johnson website.