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reverendwyrm — Thulian Wasp

Published: 2012-11-26 20:53:23 +0000 UTC; Views: 580; Favourites: 10; Downloads: 0
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Description "...In my fifth year among them, dwelling in that verdant land hidden in the frigid North, I was witness to a strange and horrible thing. I remember clearly it was the third day of the third month since the turning of the year. At the setting of the sun a procession of young women, all robed in stunning yellow, was lead to the village common, shaman muttering incantations and prayers. I watched with curiosity as the young women were lead away, each in different directions to the edges of the village. There left alone.

The evening gave rise to an alien sound. A deafening, roaring hum off in the distance. The Leeloy dropped what they were on about, in some cases literally, and rushed indoors. I was dragged inward as the sound grew ever louder. Doors were bolted(I had never noticed bolts before) and windows shuttered(had those always been there). I tried several times to observe the out of doors but was stymied. After a while the sound changed and with it my desire to see what had come amongst the Leeloy.

In the morning the village gathered in the common, I saw all the faces I had come to know, all but the young women who had been lead away. There in the center of the common was a mound of discarded, bloody, yellow rags...

...It would have been a paradise. Indeed that is what it seemed during my time spent among the Leeloy. But I came to find that paradise comes with a price too high."
~URZU the Chronicler, "Second book of Wanderings"


Just something kinda fun I wanted to sketch. I ran across an artist named Chuck Lukacs whose sketch work and hatching is quite stunning and inspired the style of this piece.

HB on 110lb smooth paper.
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Comments: 7

AcrylicInk [2012-11-27 07:48:32 +0000 UTC]

hmm interesting passage and great combination of ink work and pencil shading.. gives the drawing a nice effect.. I typically just use the HB for mapping.. think i'll try out your technique actually..

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reverendwyrm In reply to AcrylicInk [2012-11-29 20:09:40 +0000 UTC]

Thank you. When I'm sketching I typically use my trusty mechanical pencil which just has standard .5 HB lead you can pick up from any pen/pencil section at the grocery store, Target, etc.

I don't usually bust out the art pencils unless I'm working on something "special". For this sketch it was all mechanical pencils: .5 for the majority and .9 for the dark outlines, no ink involved.

Thank you for the comment as always.

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AcrylicInk In reply to reverendwyrm [2012-12-01 08:08:36 +0000 UTC]

Wow, that was all mechanical pencils?... and without inking the outline or shadows.. you have a very steady hand. Did you use any mapping techniques as a template first?and was it all just HB lead? or did you use any pencils with a darker maximum value?

Excellent job

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reverendwyrm In reply to AcrylicInk [2012-12-03 21:44:06 +0000 UTC]

Heh thank you. I do a very rough sketch first, once I have the basic shapes I want I begin refining details, the various layers in the head, roughing in the little rocky portion, shaping the joints, etc. I erase the rougher pencils as I go along. Once I have a basic drawing I start going over it again adding in smaller and tighter details and shadows/shading. Once I get my "finished" drawing done I go over the outlines with my .9 pencil to thicken and darken those up a bit, finishing off with my eraser to lift out a highlight here and there.

Both pencils I used, .5 and .9 have HB lead if I recall correctly. I did use Photoshop to adjust the levels a little bit because my snap was a bit too desaturated for my liking which may be why it looks like ink.

Thank you as always.

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AcrylicInk In reply to reverendwyrm [2012-12-29 08:34:01 +0000 UTC]

Ah i see. I try doing that but I find that my kneaded eraser doesn't pick up the edges as nicely as the sharp end of a block eraser.. so it gets harder for me to get a crisp area once it dulls. I find that with this approach, I try to use a 4H first to get the basic shape and placement down(but I find that it ends up scratching my page) leaving grove marks for when I go over the same area with a darker lead >_<

You must be pretty accurate to pull this off I use a very rough sketchy pencil outline to get the placements in, go over them again with black ink and then erase away the rough pencil lines when the ink dries. I'm going to try your technique in the next few draws.

No problem, keep up the great work as always

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reverendwyrm In reply to AcrylicInk [2013-01-02 21:43:00 +0000 UTC]

I agree with you, for creating a nice tight edge you can't beat a block eraser or one of those "clickable" eraser pens. I find I have an assortment of erasers on hand for any given project.

The 4h is nice for getting real light lines but since it's a harder lead it leads to paper indentations like you described. My personal preference for any sketch is probably an HB or even 2B lead. It's darker but since the lead is softer you usually wont damage your paper.

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AcrylicInk In reply to reverendwyrm [2013-01-03 01:11:17 +0000 UTC]

hmm I don't use the clickable eraser pens as often as I would like... it's a good idea. I only currently use the brown and white block eraser and the kneaded eraser.

So that's why the 4h scratches the paper... i didn't know it was a harder lead. So if it was more dull and rounded, it probably wouldn't make as much of an indent on the paper.

You must be very good at shading to be able to draw with effectively with just two pencil shades. You're work is very well done

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