Comments: 35
CandyLolli [2010-02-01 22:37:57 +0000 UTC]
i love this!!!!
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skullmage550 [2007-11-04 21:41:06 +0000 UTC]
I don't know if I told you this but in the summer I did an oil painting inspired by this. I scanned it today, it is dry.
[link]
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robertsloan2 In reply to skullmage550 [2007-11-05 02:12:49 +0000 UTC]
Oh, that came out great! Congratulations! I posted some critique on it, and saw that someone else explained about the dark blue sky to you. If your blue is a dark blue, just add some white and mix on the palette till it's smooth and sky blue colored -- then as you work downward add a little more white and mix so that it makes a smooth gradient. It's very easy on oils to blend colors so that they form a smooth gradient.
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LuvLoz [2007-11-02 06:05:03 +0000 UTC]
Very lovely work. I think you got the folds of the petals just right, and the shading is beautiful.
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robertsloan2 In reply to LuvLoz [2007-11-02 06:26:16 +0000 UTC]
Thank you! I love doing florals, something about it is very relaxing.
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JZino [2007-09-14 23:39:15 +0000 UTC]
You handle colored pencils so nicely. The only thing I have to say about this little treasure is that the color seems flat to me. Its like there are no shadows or highlights.
I can't believe you sketched this in with a 6H. The harder leads drive me crazy. I tend to sketch with the exact opposite, 6B. I've found that even the 2H can leave a groove in the paper and that peeves me lol.
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robertsloan2 In reply to JZino [2007-09-15 01:59:31 +0000 UTC]
I did a little shadowing, but the lighting when I did it was diffuse and so I didn't see much. I also had to sit down while finishing it up. You're right, I probably could do a bit more shading, but I like this one as it is. I'll keep that in mind on later ones.
Oh yes. I like using the very hard leads for sketching, especially if I want the sketch lines to vanish. I go lightly so they are barely there and they do stay clean, don't smudge, sharpen to a very fine point. I sketch with a 6B if what I want is a pencil drawing with strong visible graphite lines, something I can scan the sketch -- but I know with that, the sketch will be visible through the colored pencils.
I also sketch occasionally with Berol Col-Erase colored pencils -- they are erasable and have exactly the texture and hardness of an HB pencil, in 24 colors that match Prismacolor and Verithin. So using a related hue will make the sketch vanish entirely into the colored pencils art and not leave graphite underdrawing values where they aren't wanted -- especially if the sketch has intricate lines in highlight areas.
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JZino In reply to robertsloan2 [2007-09-15 02:39:40 +0000 UTC]
Those colored pencils sound freakin awesome! I'm gonna have to look them up, I didn't know they existed. Definitely adding to the wishlist lol.
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robertsloan2 In reply to JZino [2007-09-15 21:44:15 +0000 UTC]
They are awesome -- and they are CHEAP!!! Here's the link to them on Blick. Even at stores the 24 set is no more than about $15 or so, sometimes less. They're just not that expensive but I love the quality and texture of them -- and they do match every other colored pencil product Prismacolor makes.
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Macadamia-Nuts [2007-09-10 21:31:02 +0000 UTC]
Absolutely beautiful (:
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Poo7878 [2007-04-11 00:56:15 +0000 UTC]
Oo another beautiful flower! <3 That's very good =3 I like it! <3
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robertsloan2 In reply to Poo7878 [2007-04-17 20:27:13 +0000 UTC]
Thank you! I loved doing this one. Lilies, gladiolas, irises, anything with large distinct petals is a lot of fun for me.
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robertsloan2 In reply to Poo7878 [2007-04-21 04:18:37 +0000 UTC]
Veins. The vein-like markings on petals and leaves are veins, when I took botany in college that's all they referred to them as. There's other terms for the large vessels you see in wood to carry sap, but I forgot that term. In leaves and petals they're just veins.
I tend to get the vein patterns right if I'm either working from life or a good detailed photo in light that shows them, then take my time and be very, very careful. I do them in tonal rendering. Depending on light, either they look like tiny shadowed indentations with a highlight next to them, or they pop up rounded with a shadow on one side and a highlight on the lightside but very tiny -- so drawing overlarge is a good way to get in all the details without going nuts by needing a needle point pen or three-hair brush. I often just sketch them with loose strokes and go for the most obvious shadowed areas, not necessarily carrying through to the edge -- lately I've been experimenting with implying structures more than fussily drawing in every detail.
I got better at the impressionistic casual strokes by doing seriously fussy, careful drawings way larger than life first, repeatedly.
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robertsloan2 In reply to Peachfuzz [2007-03-19 19:26:16 +0000 UTC]
I can see how Oriental and Asiatic could get mixed up as terms for describing lilies that came from a grocery store florist section. It was gorgeous, and I drew it as I saw it. The spotted petals appealed to me as easy to detail. Thank you!
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robertsloan2 In reply to kulideb [2007-03-16 14:25:41 +0000 UTC]
Thank you! I wound up drawing in the blue before I got to the lily, when I realized that I'd be leaving the bulk of the petals un drawn on I knew I had to do something for a background. I think I did this one with my Koh-I-Noor woodless colored pencils, that set is a lot of fun and I recall filling in with its blue without sharpening much because I was wearing it down at an angle instead of blunting off a normal tip.
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robertsloan2 In reply to erikakochanski [2007-03-16 14:13:42 +0000 UTC]
Purrr thank you! I'm still catching up scanning things I did last summer and fall when I was offline. Last night it was the two pieces I had hanging in the living room. They need matting and rehanging, I just had them pinned up with push pins.
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robertsloan2 In reply to Marzipana [2007-03-16 14:27:32 +0000 UTC]
Thank you! I stared at them for days before getting inspired to draw it before it withered. Can't wait till this spring when we get some flowers going -- we won't have early bulb flowers but I'm buying some bulbs this year so that next spring we do get irises and daylilies and other large easily drawn bulb flowers!
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robertsloan2 In reply to Marzipana [2007-03-16 15:28:00 +0000 UTC]
Oh definitely. I love doing the ones with distinct strong shapes and large, intricate petals.
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