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Description
Like with my first Idea Process drawing, this is about me hitting an art slump.

To help keep a creative flow going, I asked (that's also her in the comic) for ideas and suggestions, such as personal stories about "The Horny Cow" (basically creepy men, as can be seen here: [link] )

She told me "there's nothing funny about hitting an art block", and that's where the spark of inspiration was: showing that such a thing can be funny. Even if I did make myself look creepy as a result.

So in the near future, I will make some "Horny Cow" drawings from those ideas. I just wanted to draw something in the meantime, even if it is crude and silly, and it really is good to sometimes purposely be a bad artist.

Strangely though, unlike my first Idea Process drawing where the panels are drawn worse and worse as they go on, we get the opposite effect here. In the first few panels, I really am overly stiff and uncontrolled with the pen (also, there seems to be an arm coming out of my chest in the 2nd panel), but as the ideas come, the more flexible and controlled I get, so we get to actually see it at work here.

Though I think I look like some freaky-ass Muppet in that second-to-last panel.

I swear, I'm not this creepy in real life...despite whatever jokes I may make.

Description
Like with my first Idea Process drawing, this is about me hitting an art slump.

To help keep a creative flow going, I asked (that's also her in the comic) for ideas and suggestions, such as personal stories about "The Horny Cow" (basically creepy men, as can be seen here: [link] )

She told me "there's nothing funny about hitting an art block", and that's where the spark of inspiration was: showing that such a thing can be funny. Even if I did make myself look creepy as a result.

So in the near future, I will make some "Horny Cow" drawings from those ideas. I just wanted to draw something in the meantime, even if it is crude and silly, and it really is good to sometimes purposely be a bad artist.

Strangely though, unlike my first Idea Process drawing where the panels are drawn worse and worse as they go on, we get the opposite effect here. In the first few panels, I really am overly stiff and uncontrolled with the pen (also, there seems to be an arm coming out of my chest in the 2nd panel), but as the ideas come, the more flexible and controlled I get, so we get to actually see it at work here.

Though I think I look like some freaky-ass Muppet in that second-to-last panel.

I swear, I'm not this creepy in real life...despite whatever jokes I may make.