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Description
(The scene opens with a green "preview screen")

The following PREVIEW has been rated

[X]

For Mature Audiences Only.
(No one under the age of 17 will be admitted into this movie)

(The screen blacks out before the real preview begins: on a grainy stock, we see what appears to be a shot of small-town America in the early 1970s.  On the street, we see what appears to be an ordinary teenage girl, riding a bicycle in loose jeans and a tight sweater that shows a really huge bosom hidden underneath that she doesn't show off due to her conservative nature.  Her hair is dirty blonde and in two long lowtails that go past her shoulders as she rides towards the camera while an ominous narrator speaks)

Narrator: You thought it couldn't happen here.  Not in this town.

(The camera shows quick shots of her body, from her prominent butt around her jeans to her huge bosom, until it cuts to a shot of her riding away...and a suspicious red Cadillac following her.)

Narrator: Not to these innocent people.

(The camera cuts to a shot of the Cadillac, now seen from the perspective of a window where a large hand in white surgical gloves reaches out and grabs the girl, gagging her and holding her around the neck as she's dragged within off her bike towards the large windows)

Narrator: Not...to her.

(The camera cuts to the Cadillac turning into a large red-brick building with a massive sign:

HOOPER SLAUGHTERHOUSE
Our Meat is the Meatiest Around!!!

(The camera cuts to a shot of the machinery of a slaughterhouse, including various grinding blades, meat hooks and blood splatter covering everything as words come up eerily on the screen as the narrator yells it out with a booming, echoing voice)

MASSACRE
AT THE
SLAUGHTERHOUSE

(The camera cuts to what appears to be a shaking metal door with a horrible roar on the other side while the girl is tied to a gurney, her body obviously strapped to show her best parts, particularly her bosom, off under the tight sweater as she shakes in fear)

Girl: Wh...what is that!?

(The camera then cuts to a dark-haired man who appears like a scientist with slicked-back hair that has pomade within it, wearing the same surgical gloves and a meat-chopping apron around his slender body.  He appears to speak in a British accent as he holds a syringe with a strange liquid within it)

"Scientist": Oh you'll meet it soon enough.  You just need a bit of preparation...

(The next shot shows him stabbing the syringe into one of the girl's arteries in her arm, her face screaming as blood oozes out of where the needle stabs her.  The pain makes her arm jerk out of the cuff within the gurney and the camera shows her turning it over and cuts to her escaping, yet the ominous narrator continues)

Narrator: And just when she thought that the nightmare is over...

(The camera cuts to an enclosed room which appears to be her bedroom, where her lowtails are on top of the sheets as her head is tossing and turning under the covers)

Narrator: It was only beginning.

(The camera cuts to the girl appearing to look in the mirror trying to check herself out confused by what she sees.  First she seems to be fidgeting with an old early 70s style bra, which appears to look off as if cleavage is starting to pour out of it when it shouldn't be like her bosom has grown.  The camera then shows another shot of her raising her arm and flexing it, a small bicep popping up as she pokes it as if her face has no idea regarding what's going on)

Mother: Dear, what has happened to you?  You don't look like yourself at all.

(The camera then cuts to what appears to be the girl in a gym outfit, with her bosom bigger than the previous shot while wearing a tight white gym shirt and with longer lowtails than before.  She appears to be hanging from a pull-up bar when a boy seems to stare right up at her admiring her thighs, which have enlarged and appear to make her blue gym shorts start fraying apart)

Boy: Well, looks like someone's been working out behind our backs.

(The camera then cuts to show him nearly getting himself suffocated as her legs accidentally wrap around his neck, making his face become blue while she blushes and tries to stop herself from doing it)

Girl: (shocked) What is wrong with me?  Why am I growing so fast...what am I becoming?

(The camera then cuts to her in a long 70s "skirt dress" as she seems to blush and feel her body outgrowing it.  Her buttons seem to pop off as more and more cleavage emerges while her lowtails fling longer and longer downwards; likewise we see the sleeves and shoulders rip apart as her deltoids, biceps and triceps continue to grow while wisps of white and black hairs seem to be barely seen around them with slight veins appearing.  Her pantyhose likewise is ripping apart with growing calve and quad muscles, while a quick shot shows a small bulge emerging around her lower spine and a round behind getting larger and more muscular with a slight panty view)

"Voice" (sounding like a doctor): Whatever is happening to your daughter, it is something beyond the reaches of conventional science.  It is like she is becoming a completely new species, still human but...more.

(The scene cuts back to the scientist, still within the slaughterhouse but with a menacing face as if he is talking to someone beyond where he stands, as if in a night scene)

"Scientist": We must get that girl back at all costs. (starts playing with the edge of a knife)  She is too valuable to me to have running around out there.

(The camera once again returns to the original "title screen" which is repeated once again)

MASSACRE
AT THE
SLAUGHTERHOUSE

Narrator: Where you will witness horrors like you have never seen before...

(The camera shows what appears to be the scientist "cutting open" a 'body' that appears weidly furry but with human construction, it's blood oozing out and it's flesh appearing wide open as it's massive muscles seemed to be set up for something)

Narrator: Inhuman monsters devouring on what should not be devoured upon...

(The camera cuts to what appears to be a "beast" eating from what appears to be a human leg bone that has been deeply barbequed and covered in a sauce that ends up falling right into his mouth, his jowls chewing on it with sharp, inhuman teeth)

Narrator: Innocent young, nubile lives forced to undergo horrifying transformations...

(The camera cuts to shots of what appears to be several other girls locked in cages, appearing to be nude but likewise growing, their hair getting longer and their muscles bulging out, though their busts appearing huge but not as large as the main girl even at the stage of appearing like a well trained, ripped female bodybuilder. All of the girls appear to be screaming as we see their bodies continue to change, with certain shots obscured to prevent everything from being seen in what they were becoming)

Narrator: Changing into something so shocking, so disturbed and so horrible...

(The camera cuts back to the main girl, this time wearing little more than several sheets that seem to try and cover her up but are utterly failing.  Her body has become even more massive, fully thicken with muscle that seems to continue to grow as she shrieks out with pain trying to control the power that keeps adding up while her bosom seems to leak out from under the "sheets" as her cleavage on both side keeps growing and her lowtails now beyond her muscular obliques and abs that aren't seen due to being on all fours trying to control her horrible pain.  We see her body getting coated more and more in white fur with black spots and the blurred but obvious protrusions around the top of her head akin to horns as her face appears to show itself changing as she tries to control it while the camera prevents too much from being seen and the narrator speaks)

Narrator: Revealing it would be a disservice.

(Another card appears rather quickly)

FROM THE
SECOND-UNIT DIRECTOR OF
"JADE AMAZONS
OF
BIKINI ATOLL"

(For a brief moment we seem to see two "beings" staring it out at one another within the middle of the slaughterhouse floor: one being a hulking male which looks deformed with sharp, horrible teeth and skin folded over one of his eyes while wearing an apron similar to the scientist and scars all over his body, the other a massive "creature" akin to a massive humanoid female Holstein cow with immense boobs and muscles and hair flowing down towards the floor.  As the two stare at each other, the scientist stares right between them and speaks with delight with the knife in his hand)

Scientist: So...you've finally returned to where it all began...where you belong...

(The camera returns one more time to the shot of the title card with the narrator booming once again)

MASSACRE
AT THE
SLAUGHTERHOUSE

(The title moves "upwards" as the remaining credits appear beneath it.  As they do, we hear a loud feminine voice "mooing")

Directed by Stuart Pidowski
Rated [X]
No One Under 17 Will be Admitted
A New Britannia Release

Narrator: Once you've seen it, you can't unsee it.

Description
(The scene opens with a green "preview screen")

The following PREVIEW has been rated

[X]

For Mature Audiences Only.
(No one under the age of 17 will be admitted into this movie)

(The screen blacks out before the real preview begins: on a grainy stock, we see what appears to be a shot of small-town America in the early 1970s.  On the street, we see what appears to be an ordinary teenage girl, riding a bicycle in loose jeans and a tight sweater that shows a really huge bosom hidden underneath that she doesn't show off due to her conservative nature.  Her hair is dirty blonde and in two long lowtails that go past her shoulders as she rides towards the camera while an ominous narrator speaks)

Narrator: You thought it couldn't happen here.  Not in this town.

(The camera shows quick shots of her body, from her prominent butt around her jeans to her huge bosom, until it cuts to a shot of her riding away...and a suspicious red Cadillac following her.)

Narrator: Not to these innocent people.

(The camera cuts to a shot of the Cadillac, now seen from the perspective of a window where a large hand in white surgical gloves reaches out and grabs the girl, gagging her and holding her around the neck as she's dragged within off her bike towards the large windows)

Narrator: Not...to her.

(The camera cuts to the Cadillac turning into a large red-brick building with a massive sign:

HOOPER SLAUGHTERHOUSE
Our Meat is the Meatiest Around!!!

(The camera cuts to a shot of the machinery of a slaughterhouse, including various grinding blades, meat hooks and blood splatter covering everything as words come up eerily on the screen as the narrator yells it out with a booming, echoing voice)

MASSACRE
AT THE
SLAUGHTERHOUSE

(The camera cuts to what appears to be a shaking metal door with a horrible roar on the other side while the girl is tied to a gurney, her body obviously strapped to show her best parts, particularly her bosom, off under the tight sweater as she shakes in fear)

Girl: Wh...what is that!?

(The camera then cuts to a dark-haired man who appears like a scientist with slicked-back hair that has pomade within it, wearing the same surgical gloves and a meat-chopping apron around his slender body.  He appears to speak in a British accent as he holds a syringe with a strange liquid within it)

"Scientist": Oh you'll meet it soon enough.  You just need a bit of preparation...

(The next shot shows him stabbing the syringe into one of the girl's arteries in her arm, her face screaming as blood oozes out of where the needle stabs her.  The pain makes her arm jerk out of the cuff within the gurney and the camera shows her turning it over and cuts to her escaping, yet the ominous narrator continues)

Narrator: And just when she thought that the nightmare is over...

(The camera cuts to an enclosed room which appears to be her bedroom, where her lowtails are on top of the sheets as her head is tossing and turning under the covers)

Narrator: It was only beginning.

(The camera cuts to the girl appearing to look in the mirror trying to check herself out confused by what she sees.  First she seems to be fidgeting with an old early 70s style bra, which appears to look off as if cleavage is starting to pour out of it when it shouldn't be like her bosom has grown.  The camera then shows another shot of her raising her arm and flexing it, a small bicep popping up as she pokes it as if her face has no idea regarding what's going on)

Mother: Dear, what has happened to you?  You don't look like yourself at all.

(The camera then cuts to what appears to be the girl in a gym outfit, with her bosom bigger than the previous shot while wearing a tight white gym shirt and with longer lowtails than before.  She appears to be hanging from a pull-up bar when a boy seems to stare right up at her admiring her thighs, which have enlarged and appear to make her blue gym shorts start fraying apart)

Boy: Well, looks like someone's been working out behind our backs.

(The camera then cuts to show him nearly getting himself suffocated as her legs accidentally wrap around his neck, making his face become blue while she blushes and tries to stop herself from doing it)

Girl: (shocked) What is wrong with me?  Why am I growing so fast...what am I becoming?

(The camera then cuts to her in a long 70s "skirt dress" as she seems to blush and feel her body outgrowing it.  Her buttons seem to pop off as more and more cleavage emerges while her lowtails fling longer and longer downwards; likewise we see the sleeves and shoulders rip apart as her deltoids, biceps and triceps continue to grow while wisps of white and black hairs seem to be barely seen around them with slight veins appearing.  Her pantyhose likewise is ripping apart with growing calve and quad muscles, while a quick shot shows a small bulge emerging around her lower spine and a round behind getting larger and more muscular with a slight panty view)

"Voice" (sounding like a doctor): Whatever is happening to your daughter, it is something beyond the reaches of conventional science.  It is like she is becoming a completely new species, still human but...more.

(The scene cuts back to the scientist, still within the slaughterhouse but with a menacing face as if he is talking to someone beyond where he stands, as if in a night scene)

"Scientist": We must get that girl back at all costs. (starts playing with the edge of a knife)  She is too valuable to me to have running around out there.

(The camera once again returns to the original "title screen" which is repeated once again)

MASSACRE
AT THE
SLAUGHTERHOUSE

Narrator: Where you will witness horrors like you have never seen before...

(The camera shows what appears to be the scientist "cutting open" a 'body' that appears weidly furry but with human construction, it's blood oozing out and it's flesh appearing wide open as it's massive muscles seemed to be set up for something)

Narrator: Inhuman monsters devouring on what should not be devoured upon...

(The camera cuts to what appears to be a "beast" eating from what appears to be a human leg bone that has been deeply barbequed and covered in a sauce that ends up falling right into his mouth, his jowls chewing on it with sharp, inhuman teeth)

Narrator: Innocent young, nubile lives forced to undergo horrifying transformations...

(The camera cuts to shots of what appears to be several other girls locked in cages, appearing to be nude but likewise growing, their hair getting longer and their muscles bulging out, though their busts appearing huge but not as large as the main girl even at the stage of appearing like a well trained, ripped female bodybuilder. All of the girls appear to be screaming as we see their bodies continue to change, with certain shots obscured to prevent everything from being seen in what they were becoming)

Narrator: Changing into something so shocking, so disturbed and so horrible...

(The camera cuts back to the main girl, this time wearing little more than several sheets that seem to try and cover her up but are utterly failing.  Her body has become even more massive, fully thicken with muscle that seems to continue to grow as she shrieks out with pain trying to control the power that keeps adding up while her bosom seems to leak out from under the "sheets" as her cleavage on both side keeps growing and her lowtails now beyond her muscular obliques and abs that aren't seen due to being on all fours trying to control her horrible pain.  We see her body getting coated more and more in white fur with black spots and the blurred but obvious protrusions around the top of her head akin to horns as her face appears to show itself changing as she tries to control it while the camera prevents too much from being seen and the narrator speaks)

Narrator: Revealing it would be a disservice.

(Another card appears rather quickly)

FROM THE
SECOND-UNIT DIRECTOR OF
"JADE AMAZONS
OF
BIKINI ATOLL"

(For a brief moment we seem to see two "beings" staring it out at one another within the middle of the slaughterhouse floor: one being a hulking male which looks deformed with sharp, horrible teeth and skin folded over one of his eyes while wearing an apron similar to the scientist and scars all over his body, the other a massive "creature" akin to a massive humanoid female Holstein cow with immense boobs and muscles and hair flowing down towards the floor.  As the two stare at each other, the scientist stares right between them and speaks with delight with the knife in his hand)

Scientist: So...you've finally returned to where it all began...where you belong...

(The camera returns one more time to the shot of the title card with the narrator booming once again)

MASSACRE
AT THE
SLAUGHTERHOUSE

(The title moves "upwards" as the remaining credits appear beneath it.  As they do, we hear a loud feminine voice "mooing")

Directed by Stuart Pidowski
Rated [X]
No One Under 17 Will be Admitted
A New Britannia Release

Narrator: Once you've seen it, you can't unsee it.