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Tinselfire — Temeraire

#battleship #funeral #honorguard #nebula #retirement #retro #rocketship #sloop #starship #tug #honourguard
Published: 2017-08-21 05:36:49 +0000 UTC; Views: 1266; Favourites: 37; Downloads: 8
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Description The honour guard has long wheeled, already distant. After forty years of unfailing service, still bearing the last of many battle scars, the once mighty Temeraire sets the course that will take her on her final journey. An ignoble pilot's sloop is her only companion she sails to take on the breakers, the last crew she will harbour.

For the old battleship this is no pitiful end, only the last triumph in a line of many. In her new life as a hundred frigates and fighters beyond counting, soon enough the Temeraire will sail again.

GIMP 2. Approximately 20 hours. Layout and themes based on the painting featuring a similarly named ship by J.M.W. Turner.

Something rather quickly put together to see if I still have the touch for space art. Not as refined as I would have preferred it, but deadlines are deadlines.
Quickly or not, still put a bit of thought into the themes behind it.

First, as should be apparent in comparison, the Temeraire is a rather symmetric, rocketship-like design, with a colour scheme that could have come from a John Blanche cover. All of these are things I enjoy very greatly in more military-styled starship designs (apart from aesthetically pleasing but highly impractical battleships transplanted to space), but which I have found are getting increasingly uncommon - perhaps were never common to begin with. Second, she is a "boresight" sort of warship: All of her main weapons are fixed, aimed along the spine. Again, this is an aspect of space warship design I find pleasing, but - save for a few holdouts - is not as common today as it once was.
The sloop, with its large, almost 3d-printed shell pieces and bright blue glowing details, is recogniseably a more modern design, the sort which appeared about 20 years ago. This is admittedly a design I am rather ambivalent towards, but it is undeniable that it has a powerful appeal - I would dare say today, it is nearly ubiquitous.
When I began this piece, sketching a Turner study, I recognised almost at once the only way I could successfully move the themes involved into space was to have the Temeraire herself as an older design of which I am very fond, but likewise very aware that the popular appeal of the same is long since diminished. The tugboat had to be a more modern design, one which in itself does little for me personally - but which is not only almost an industry standard, but also personally favoured by many of the contemporary space artists I hold in the highest regard.

No, there is no message, and there is no hidden meaning.
Now, enough. I should have been in bed eight hours ago, but decided to paint instead.
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Comments: 16

ChilledEden [2019-08-23 00:37:50 +0000 UTC]

Gorgeous colour scheme - don't know why, but it reminds me of Olysses 31, an 80's animated series. Great work on the ship

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Tinselfire In reply to ChilledEden [2019-08-23 00:44:19 +0000 UTC]

Thank you - and now that you mention it, no wonder. I haven't seen the show, but the thumbnail for the version of the intro circulating on YouTube does feature a ship with a similar silhouette. At least, from this particular angle.

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ChilledEden In reply to Tinselfire [2019-08-23 20:06:34 +0000 UTC]

Yes, the "Iris". Such a nice ship

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Tinselfire In reply to ChilledEden [2019-08-25 16:37:04 +0000 UTC]

A very fitting name *nods*


Have a liking for coming up with ship names, sometimes even before the design of the ship. The name "Tinselfire" is itself an FK-series ship from a story I scrapped on the treatment stage, but the name lingered on.

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ChilledEden In reply to Tinselfire [2019-08-25 17:52:20 +0000 UTC]

Some fate in live is inevitable, I guess


May I ask: FK-series? What does this stand for?


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Tinselfire In reply to ChilledEden [2019-08-25 18:02:02 +0000 UTC]

"Fabrika Krosom".


It is a generic name I use across settings. If something is presumably made in mid- to late 20th century Russia and not closer specified, it is made at the fictitious Krosom plant in Orel.

The Tinselfire of the story was a ship similar to Charon's boat in the mythology of far future space travellers, so it was portrayed as their highly idealised and historically incorrect vision of a 20th century spacecraft: Larger than life and using Bussard ramjet propulsion.

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ChilledEden In reply to Tinselfire [2019-08-27 09:29:42 +0000 UTC]

Thank you for the insights



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SkyPotatoFire [2018-03-10 05:35:42 +0000 UTC]

Wow.

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Tinselfire In reply to SkyPotatoFire [2018-03-11 06:09:39 +0000 UTC]

If you enjoyed this, please do give the original a look too:

en.m.wikipedia.org/wiki/The_Fi…

It is one of my favourites.

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SouthpawLynx [2017-08-22 23:04:09 +0000 UTC]

Back to your sci-fi roots, eh? I am amazed by how much I can zoom in and find new details. The solar wind in front of the star field feels a bit out of place with the broad strokes next to the details of the ships, but I like the colours and light. Fortunately, the ship design is wonderfully detailed and carries a sense of age and verisimilitude. My eyes are drawn right to the ship, but I keep finding something new each time I look closer.
I added this to favorites not just because I want to knowledge this is great work, but because I definitely want to come back to this piece now and again to study it.

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Tinselfire In reply to SouthpawLynx [2017-08-24 12:05:24 +0000 UTC]

Indeed, and not as rusty as I feared. The starship Tinselfire still has a parsec or two to shrink o.-
Will likely be some space and horror pieces this Autumn. Not only because they are subjects I enjoy, but because variety enables miracles - just from painting the Temeraire I stumbled upon and learned a lot of things that had me scratching my head the week before. Can barely wait to put them to use, so will be some anthro mixed in.
However, while I always intended to speed up my work process from 100 hours to perhaps 50, one of the things I learned was that for now - until I have a far firmer routine - 100 hours a piece is probably the way to go. As you saw, some of the composition with the large strokes just came out weird, and made one really embarrassing mistake in haste: If you look close, you can see some cracked paint near the top - I accidentally flattened my reference sheet of Turner paintings into the background. Never again!

Speaking of Turner, the lighting was a real treat to paint. Even at his peak Turner was ridiculed as "painting with mustard", with his fondness for sharp orange and lemon yellow. Had he lived 150 years later, space artists would probably have afforded him the reverence now reserved for Foss, Elson and McQuarrie - the mists of Orion's sword would have been as home to him.

I am very glad to hear you enjoyed the ship designs - and honestly, I am more than a bit honoured to hear there is something worth study. While I hope to and intend to improve technically, anything I have to say about starship design in fiction that might hold relevance to another, you can find in this picture.
Ships must have stories.

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WindySilver [2017-08-21 17:24:02 +0000 UTC]

Amazing! 8D

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Tinselfire In reply to WindySilver [2017-08-24 11:24:40 +0000 UTC]

Thank you <3

This was quite quickly painted so made no postmortem for it, but made a tutorial for some of the things I learned if you're curious how it was made.

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WindySilver In reply to Tinselfire [2017-08-24 12:48:12 +0000 UTC]

I see. You're welcome!

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Arthur-Ramsey [2017-08-21 12:20:50 +0000 UTC]

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Tinselfire In reply to Arthur-Ramsey [2017-08-24 11:18:29 +0000 UTC]

Thank you - and very appropriate animal and colouration as well.
Some of the starship designs I find the most pleasing are the "zebrafish" designs of Chris Foss. If you are familiar with the jazz fusion work of Ian Gillan, you have most certainly seen some of them.

The music itself is nearly even more impressive.

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