Comments: 8
TracyWong [2014-04-07 06:11:31 +0000 UTC]
I just found the colors for it: static.comicvine.com/uploads/o…
Not bad at all! Nicely done work by Guru FX. It took me quite a while to find who did the color work though, I checked three different sites and they didn't bother to credit the you, the inker, nor the colorist. They only credited the writer and penciler. Forgive my french, but that's just shit. I'm so sick of inkers and colorists not getting proper credits.
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WaldenWong In reply to TracyWong [2014-04-07 22:07:53 +0000 UTC]
Thanks! Good find on the colors.
Yeah, a lot of times the inkers and colorists gets over looked. It happens not just on solicitations, but also after the book is published. No credit in the book. Yet, I still get sent copies of the books. Sometimes it's just that Editors need to put in name solicitations before their printing deadline. Sort of a last minute shuffle before pushing that 'send' button on the e-mail.
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TracyWong [2014-04-07 06:03:07 +0000 UTC]
Whoa! This is amazing! So so sooooo cool! Great work, Walden.
And I agree with SeanE. lol I'm not sure who I feel sorry for more here, you the inker, or whomever is the colorist on this - because HELLO chaos and insane amounts of detail! lol
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WaldenWong In reply to TracyWong [2014-04-07 22:10:48 +0000 UTC]
Inking over Nick Bradshaw's pencils is a lot of work sometimes. But I'm used to it. Before I've inked over Bradshaw, I did some inking over Arthur Adams. That was a lot of work too. But once you get used to something, it's just another page to work on. However, once you get used to inking something with a lot of details, other pages with less details seems like a breeze to work on. I finish inking a page and I think to myself, "That's it? I'm done with this page? So fast?"
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