Comments: 15
SkyBreeze26 [2015-06-15 05:57:19 +0000 UTC]
This is gorgeous def an instant favorite
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CaptainElsa [2015-03-21 23:01:19 +0000 UTC]
I meant crystal-like, it's just the texture reminds me of crystals.
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RagnaroCkRaven [2015-03-21 08:27:16 +0000 UTC]
It's like riding on the highway while on drugs when suddenly you see a huge sandstorm coming your way : "Probably an owl bouquet"
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ChaosFissure In reply to RagnaroCkRaven [2015-03-21 22:41:53 +0000 UTC]
I...can't say that I'm remotely familiar with that experience...
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CaptainElsa [2015-03-20 15:51:18 +0000 UTC]
I love how it looks like crystals!
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silverwing47 [2015-03-20 05:14:53 +0000 UTC]
Enchanting and feels warm yet cool tone
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CameronKobe [2015-03-20 01:00:22 +0000 UTC]
Magnificent.
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ChaosFissure In reply to CameronKobe [2015-03-20 01:01:57 +0000 UTC]
Thank you very much! Out of curiosity, what makes it magnificent :3
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CameronKobe In reply to ChaosFissure [2015-03-28 16:20:20 +0000 UTC]
Sorry for the delay in responding. When I saw the piece, it blew my mind but it’s not so easy to identify why it’s particularly outstanding—while I would say that all of your works are amongst the best fractals I’ve seen in any context, this is definitely my favourite piece in your gallery. I had to spend some time reflecting on this to get at the core of why I especially took to this particular work.
Most fractal artwork is unrepentantly and resolutely perfect, unable to take more than one step away from the underlying algorithm. The majority of fractals feel tightly controlled, shining and splendid, but also unrelentingly clinical.
This work is organic and painterly, tightly constructed with the impression of a cogent whole, and yet with a joyous, wild freedom that suggests a snapshot of an instant in an event that defies framing. The spirals and looping pathways and beautiful collisions track courses through the piece like subatomic particles in the big bang. It looks like a portrait of a creation—not the predictable inevitability of the trefoil knot but the uninhibited explosion of infinite possibility.
The "feathery quality" that suggested owls for you recalls instead for me the deliberate, meaningful splashes of the action painters, and crystallizes the impression of the piece as the afterimage of the artwork. The beauty of the final result coupled with the sensation of the piece straddling a space between the digital and the traditional, the algorithm and the artist, combines really effectively with the visual narrative of something being called into being. I think that’s what makes it magnificent.
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ChaosFissure In reply to CameronKobe [2015-03-31 00:13:45 +0000 UTC]
The response itself is more than worth any delay in reply, because holy cow, it's not frequently that I receive comments nearly as detailed as this is. I really do appreciate the time you spent writing this, and it definitely is helpful and a great boost to my spirits to see; comments like these worth the world to me. Thank you very much
Fractal artwork can be mechanical and hyper-geometric, just so logical (cue Supertramp), but I find that it can be really interesting in moderation! However, I personally found it a chore to create things with ultra-rigid setups...and nearly quit making fractals because I didn't feel like I was able to add enough personality to what I was creating. Fortunately, I decided to try reverse engineering...ironically something structured, and found it incredibly fun to just go through the process of exploring the interactions between the "chaos" and the structure. And I've been doing that ever since!
"...a snapshot of an instant in an event that defies framing"
Perhaps unrelated, but framing fractals probably is my worst nemesis when it comes to making artwork. I love exploring the potential of artwork, seeing how it moves, and seeing what amazing things it can do, but often framing it into a rectangular shape is not easy, and can take days...or even over a week...just to get something I'm satisfied with. And I'm not always satisfied at that point either.
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ChaosFissure In reply to Tck--Tck [2015-03-21 23:04:25 +0000 UTC]
Wow, thank you for the in-depth analysis!
Yes, the colors and motion of the top areas inspired the owl/feather idea. The landscape and sweeping shapes are things I spent a while tweaking and framing until I was happy with how it worked, but I definitely tried to build a scene, as that sweeping "path" going down to the bottom of the image really drives your attention to the center. To be honest, I like the middle left of the image the best, because that's where three major motion points of the image combine (in a way I think looks cool!). I'm glad to hear you enjoy how it turned out ^^
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