Comments: 9
montycrusto In reply to Chobek [2016-07-16 17:42:00 +0000 UTC]
You are very good at these jaw-droppingly lovely comments - thank you for paying such close attention to my drawings - closer than I've ever paid to them; to be honest I've very little idea what I'm doing, so if I've got it right, it's more by accident or instinct than anything. I just get bored of doing the same sort of viewpoint all the time, that's why I like to suddenly look down from the ceiling or get in too close so that everything's fish-eyed. So glad you like it, though. The fish-eye distortion does sort of put the observer into the picture, I hadn't really thought of that. I like the idea that the environment I'm drawing wraps itself around the observer as well as the subject... I used to do lots of wide-angle drawings that of course had to include my own legs, and the sketchbook I was drawing in (featuring a mini version of the same drawing, naturally, with an even smaller sketchbook etc...).
I think you're right about pumping up the contrast in B/W drawings - it's a necessary "adaptation" to the digital environment, in many cases. It makes my ballpoint lines look dryer, somehow, almost like black coloured pencil or something, but it gets rid of the regrettable purplish tone of the ink, when used intensely. Thanks for the link to your blog, I can see why trying out filters could be addictive, though I've seen people use such things as "rembrandt" or "monet" filters, not sure how I feel about that, an artist's whole visual style available to trowel on all over everything at the touch of a button...
I just had to look up "plinko" - lol - I feel so much wiser now.
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