Description
This is the more serious and developed production for the center-most slice of this overland map:
In Tangled Threads, Parts Two and Three, we see Callista bearing the unconscious Avora on that trip from Mitesceru Manor ("Martilis Estate" in the revision) to Dernhem, and so it seemed like it was time to put what I had in mind down on paper and give it a little more attention than the simple line drawing above. This new map is actually a cropped version of a larger one that shows a bit further south (just pass the Villios Estate) and north (not quite to Eiger Village), with a number of the names and locations removed (like Callista's Safe Haven and Annalae's Stalker Shrine). Many of the rivers and valleys have names on the master file as well, but looking at them all at once can be a bit chaotic, so I'll slowly reveal and modify this as we go.
This map is included in the Tangled Threads, Part Two publication detailed here:
New Publication - Digital Version, Too!
Tangled Threads, Part Two can be purchased here: https://www.amazon.com/dp/1081919175
It seems that the international versions of Amazon will make it available in another 1-4 weeks (please correct me if I'm wrong here).
The digital version is available here: https://www.amazon.com/dp/B07WH9WS45
The book is 170 pages long. It has 76 illustrations and two maps in it, plus six feature illustrations for the main contributors this time around.
Tangled Threads, Part Three is almost done as well--15 more images to complete digitally and the narrative draft needs about the same. Assuming things go as usual, we should be ordering a proof of TT3 in another 5-6 weeks, and from that point, it's another 2-3 weeks for publication and availability.
Also, I'm now working on Fair Harvest, Part 1 (a loose publishing goal of December, 2019 to January, 2020), and a bunch of final
Another section of the overland map is posted to accompany the images/story from the Chain of Events chapter. It is here:
Enjoy!
Note: Tangled Threads and Demon's Due are a work of fantasy and fiction. The artist/creator in no way condones this kind of treatment toward any woman or man, by living person, gremlin, plant, assassin, ratman, viscous fluid, programmed device, animated home furnishings, or otherworldly spiritual beings. Furthermore, the artist opposes the marginalizing and restriction of women in general by any institution, political and/or religious, including those which have individual women amongst their membership touting/promoting their own happiness within that institution as evidence that ALL women should feel the same way. This includes the religion I was raised in and which I have utterly discarded from my life over this and other issues.
www.youtube.com/watch?v=0la5DB…