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louly — La Loggia
Published: 2010-03-12 21:55:31 +0000 UTC; Views: 7315; Favourites: 114; Downloads: 253
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Description
The Loggia, a Mediterranean decor by Nytoprod at RenderosityPd-Pince-Nez Glasses and Pd-DirtyPretty materials by available at Renderosity
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Comments: 77
She's hot Lou!
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very pretty, she's a beautiful render and I love the patterns on her clothing!
Does the software you're using have ambient occlusion passes? That would help define a dark edge where her arm rests on the wall and really ground her in the scene.
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Thank you. Some people, in this case parrotdolphin, create and sell material/pattern that we can use in the material room. This allows combining outfits from different sources and to create something original.
Yes, the software allows ambient occlusion and I use it but I'm not sure if I can do it in a separate pass, I'll have to check. Ambient occlusion eats up memory and have longer render times. Since I started rendering larger images and at 300 dpi, I've been having memory challenges lol Why I started doing simpler images in my software (Poser) rendering mostly the character, hair and clothes and painting/composing my background in Photoshop. When you have a prop (building) in your scene, you start having problems. I cheated here and didn't get away with it lol I rendered the background building, the character and the railing in different passes. Since the railing wasn't rendered with the character she couldn't project a shadow on it. I couldn't quite fix the shadow in Photoshop afterwards as I tried to compose the different pieces, part of which I had to erase to bring backward/forward the character or the railing. It was very frustrating lol My goal is to learn more and more digital painting so I can have more freedom and only render my characters with Poser and do the rest in Photoshop. I'd like to be able to paint hair and clothes eventually 
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we use maya at work and render ambient occlusion as a separate pass and add it to the composited image as a multiply layer. Of course we have a whole render farm, so it whips through renders - I can imagine the times on a single machine would be a lot different. Painting it in Photoshop is probably a more feasible option
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Nowadays it seems easier to do AO as a matter of course.
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Good combination of lighting, textures and tones in this. Nicely done
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hmm her arm doesn't have a shadow on the rock... nor does the plant...
I really love the hair though! And her skin <3
I think you should've picked another color for the flower on the hair... or made the scene brighter, but that'd compromise your concept..
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Yes, I know about the shadows... I had to make some compromises as I had to render in multiple passes because of memory problems. I didn't totally succeed in fixing the errors in postwork in Photoshop. The 3D software I use doesn't always comply and after spending hours without being completely satisfied, sometimes I need to post anyway. Plus, I was showcasing the scene prop for a friend.
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she looks so great!!! I love the way you treat the scenes
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Thank you 
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La lumière donne toute sa dimension à cette oeuvre si seduisante et paisible 
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Merci, t'es bonne pour mon ego, toi
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Il n'y a pas à dire, on est sous le charme ! L'utilisation du camaïeu de textures dorées est une pure merveille (il est vrai que Firefly permet la conception de textures exceptionnelles) mais ce que j'apprécie le plus est cette lumière feutrée, très douce, comme celle d'un crépuscule au ciel lourd, presque orageux...
Une belle image !
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Merci
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So beautiful! If you don't mind me asking what program do you use for your 3D modeling?
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Thank you
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It's a lovely piece, the glasses are a nice touch!
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Thank you 
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