Comments: 30
Vilest [2013-09-09 03:24:51 +0000 UTC]
So, how do you go about choosing a pallet for the paintings in this series? Your colors are always stunning.
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Vilest In reply to paperplait [2013-09-15 23:47:01 +0000 UTC]
Aww, can't give me anymore protips than that? :c
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Vilest In reply to paperplait [2013-10-02 12:35:19 +0000 UTC]
Thank you! That gave me a bunch of good ideas!
What adjustment layers do you use?
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paperplait In reply to Vilest [2013-10-02 21:31:47 +0000 UTC]
I mostly use "Levels", "Brightness/Contrast", "Color Balance" and "Selective Color". But of course, I'm not saying that those are all you should use if you want to create a good image. Those are just the ones that I use...
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ziblie [2013-09-07 21:10:03 +0000 UTC]
You're getting a lot more depth in these now, and it's really nice to see C:
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allisonchinart [2013-09-07 13:11:59 +0000 UTC]
You're getting better and better each time! I hope you continue them!!
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Finnjamin [2013-09-07 03:54:08 +0000 UTC]
I think you'd benefit if you pushed your form and textures into finer detail, but that's also a matter of personal drive. Style's still fresh.
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Aquapirum [2013-09-07 01:59:29 +0000 UTC]
I often feel as though digital art lacks the aspect simplicity; letting the eye complete the image. I find, for me, the light blue adds this dream like air, as though there's something hiding in the mist, perhaps a hidden town, between the mountain and the viewer. Nice work!
Also the colour and lighting is beautiful! (:
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Mourphine [2013-09-06 23:49:58 +0000 UTC]
wow. simply INCREDIBLE. how would someone like me learn how to do something like this? ;A;
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paperplait In reply to Mourphine [2013-09-08 14:14:25 +0000 UTC]
it's just practice really...
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Finnjamin In reply to Mourphine [2013-09-07 03:51:57 +0000 UTC]
The quickest way to learn seems to be to just start doing it. Your work isn't bad at all, so don't even worry about it.
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DestroyErase [2013-09-06 23:03:58 +0000 UTC]
You've escalated in proficiency quite sharply over the past few years. Your environmental scenes are quickly becoming on par with Tom Scholes' work.
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