Comments: 20
rachaelm5 In reply to Ember-Eyes [2017-12-11 11:20:18 +0000 UTC]
Thank you very much!
I've worked my way up to these projects that take multiple days to complete. Even ten years ago, I probably would not have been able to keep my focus on a project that lasted more than a couple of weekends. It takes practice to get comfortable with it. I usually work three or four hours at a time, then stop to rest for a while, have a bite to eat, then dive back in if my hand thinks it can take it.
If I'm using hard-lead colored pencils like Polychromos or Aquarelle, then I've also found that working light to dark is better; the layering style I need with those is much more delicate. However, the layering style is completely different with soft-lead pencils like Prismacolors. The individual colors blend easily when I mush them together on the paper, and I'm using anywhere from four to six intermediate values between the darkest area and the lightest area. It's those intermediaries that allow the gradient to work fairly smoothly, and over time I've found that I get the best blending when I mush colors from dark to light. I often use the lighter colors for further blending, working the middle values down into the darker values, and the light values down into the middle values until I have the gradient effect and texture that I want.
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Iookie3 [2017-12-07 03:57:19 +0000 UTC]
nice
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JayJayRoxx [2017-12-03 20:31:51 +0000 UTC]
I have Prismacolor pencils as well, and I was wondering how you seem to blend them so gorgeously...? 0.0
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rachaelm5 In reply to JayJayRoxx [2017-12-04 11:43:17 +0000 UTC]
Part of it is working on a surface that can take a lot of colored pencil layering - in this case, cold-pressed illustration board. It's smoother than pastel paper, but rougher than, say, Xerox paper. The other secret is that I do a whole lot of layering in different colors. You see the pile of pencils on the left - each "yellow" bit consists of no less than five colors, and usually six or seven. I typically lay in my darker colors first, then middle tones, then lights.
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JayJayRoxx In reply to rachaelm5 [2017-12-04 20:40:52 +0000 UTC]
Ohhh! Got ya! Thank you so much for the info, hopefully I can reach that mastery of colors some day!
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mmasdh [2017-12-03 15:07:34 +0000 UTC]
wow still some work to do but looks better and better!
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rachaelm5 In reply to mmasdh [2017-12-04 11:40:07 +0000 UTC]
Yep, it's getting there. Thanks!
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ChimeraDragonfang [2017-12-03 09:58:57 +0000 UTC]
Hey, awesome, you have those pencil nub extender things too! I've had one for seemingly forever, and all my friends were always kind of amazed that it was a thing. I've never seen anyone else with one (think I got mine in Germany, or from someone on the German side of the family).
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rachaelm5 In reply to ChimeraDragonfang [2017-12-04 11:39:51 +0000 UTC]
Pencil extenders have saved my drawing hand! They are a marvelous thing. I found them in an art supply catalogue several years ago, and I've seen them on Amazon in latter days.
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bezzalair [2017-12-03 06:35:34 +0000 UTC]
Loving those underbelly scales!
Hey, those colored pencils to the left, are those holders for them so you can use the most of the colored pencils? I've never seen those before! How neat! Would you happen to know what they're called?
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rachaelm5 In reply to bezzalair [2017-12-04 11:38:51 +0000 UTC]
Thanks!
The pencil extenders are called simply that: pencil extenders. The brand is General. You can get them through most art catalogues, and I've found them on Amazon as well.
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Kansasjeeper [2017-12-03 05:19:05 +0000 UTC]
Wow, I love the details in his face. I hope he's a nice dragon.
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