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ThatDirtyKid — Jug Bright Ash Glazes

Published: 2008-11-03 05:59:45 +0000 UTC; Views: 2267; Favourites: 23; Downloads: 185
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Description This is another of my earlier series of jugs with rubber gaskets so they seal water tight. Now applied to a more interesting form, topped off with a loud glaze combination.
Wheel thrown and altered porcelain ^10 redcution
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Comments: 10

elf2tiny [2009-01-03 21:52:55 +0000 UTC]

This is really nice, the colors blend together perfectly. How many different glazes did you use?

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ThatDirtyKid In reply to elf2tiny [2009-01-04 17:04:10 +0000 UTC]

this piece has 3 different glazes. An ash glaze, a tan rutile glaze and a copper green matte glaze.

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dwuff [2008-11-10 07:55:44 +0000 UTC]

lovely piece of work.

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sargentsnarky [2008-11-10 01:17:10 +0000 UTC]

This is beautiful - both the form and the glazing.

I must admit, I'm just a beginner when it comes to ceramics, but this sort of thing - where the form and coloring seem to blend so well - is what I'd like to strive for, if I ever get a chance to work with ceramics more.

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jennyfire13 [2008-11-05 06:05:19 +0000 UTC]

Count me in on a couple of the basic recipes for ^10!

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jennyfire13 [2008-11-05 06:02:44 +0000 UTC]

Love the glaze work!

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Jade-Kitten [2008-11-04 03:49:30 +0000 UTC]

I would love to do some ash glaze work. Can you do them in a oxidising atmosphear, and will they stink my classroom out if I try? I'm in enough trouble as it is with my rancid sink traps without causing a haz-chem incident...

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ThatDirtyKid In reply to Jade-Kitten [2008-11-04 04:07:47 +0000 UTC]

Do you do ^10 firing? You can fire them in oxidation. The colors will be brighter and glossier. Wood ash is caustic until cleaned, so I would recommend using fake ash glazes (substituting whiting for the wood ash) I could give you a couple common recipes to start with if you like.

If you are not doing ^10 I am not aware if there are any similar recipes for ^6. I know real ash will not melt at that low of a temperature. And as far as smells go, theres nothing out of the normal for other glazes. Caution using these glazes with students, they are very runny.

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Jade-Kitten In reply to ThatDirtyKid [2008-11-04 07:09:58 +0000 UTC]

I do a lot of naked clay work using englobes and what-not and love working to various vitrifying temps. I know I can set the kiln to 1350 (^13ish Orton) but have not yet attempted porcelain work. Only managed to convince the school to get one for our dept in the Spring after 2 years of negotiations... anyway Temp is not a worry, just fumes as it is housed in my actual teaching room.
I would love to experiment with any recipes you have to hand, but if you have any that include gathered materials I will be most pleased. Being by the sea I would like to try seaweed in some form... have already ground up some starfish carcusses (created a nice textured buff colourant to a standard stoneware glaze ^9)... but Im waffling.
Thanks for getting back to me anyways.

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ThatDirtyKid In reply to Jade-Kitten [2008-11-04 15:23:30 +0000 UTC]

^9 would be ok. I can even reccomend ways to modify the glazes so they settle the same at a slightly lower temp, but 1350 is ^013, ^10 is 2350, and is generally very hard on electric kilns. I will bring my glaze book home from the studio and send a couple recipies your way. The only gathered materials recipes I have are ash, however any plant ash works, so if you can dry out sea weed and burn it you could use its ash.

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