Comments: 12
rachaelm5 In reply to MadeWithLove8 [2017-04-14 01:07:28 +0000 UTC]
The difficulty depends on the type of pencils I'm using, and the type of paper or board. Here's the long version:
I use either vellum surface Bristol board (it's a high-quality cardstock) or cold-press Crescent illustration board, both of which have just enough tooth to hold the colored pencil well, but are not so rough that smooth coloring and blending is difficult. I don't generally use real watercolor paper for my combination technique, because even hot-press watercolor paper tends to be too rough for my colored pencils. I can *do* it, mind you, but it takes a lot more effort. Both the Bristol and the illustration board can take the watercolor really well. The Bristol will warp a bit, but there are ways to compensate for that. The thin illustration board may warp some, but the thick illustration board generally won't unless I get it really, really sopping wet.
To work over dark watercolor like this, I need pencils that are capable of being opaque over the top of the watercolor. I use Prismacolor Premiers for this kind of work. If my watercolor layer is much lighter (which I don't do often), then I can use Polychromos, Blick Studio pencils, or Caran d'Arche and still get good results from the colored pencil work. Pastel pencils would also work over dark watercolor, but the feel of those pencils on paper makes my skin crawl; I never use 'em. Some artists really like them, though, because those will also color over dark watercolor with no problem. If I was working at a larger scale, say 18x24 inches or larger, regular soft pastels would work over watercolor really well, too. But again, it's that chalkiness-on-paper feeling that I can't handle, so I stick with wax-based mediums for the final coloring part.
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JettieHier [2016-10-29 08:08:31 +0000 UTC]
Love to see the outcome of this one.
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JettieHier In reply to rachaelm5 [2016-10-29 18:43:57 +0000 UTC]
A lot of work if you want the colored pencil layer as intense as you normally have. Do you still work your tech job besides the drawing?
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rachaelm5 In reply to JettieHier [2016-10-29 19:32:07 +0000 UTC]
Yes, it's quite a lot of work - but I love the result!
I do still work my tech job. The art industry is up and down, all over the place, and I do not think I would be able to make steady money if art was my full-time job. I also need to give the art-side of my brain a rest. My weekday technical job serves both purposes very well.
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JettieHier In reply to rachaelm5 [2016-10-29 19:53:34 +0000 UTC]
Great to hear that.... I am an MRI tech and often wonder if I could do full time art work. To see you pull it off with doing your 'normal' job on weekdays and still get so many beautiful results.... You must be a very disciplined person. I take my proverbial hat off for you. (I don't know if that's a proverb in the US too....)
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JettieHier In reply to rachaelm5 [2016-10-31 16:54:12 +0000 UTC]
So only the weekends?? That'd be too little for me. I need to draw/paint or doodle everyday. And I Always think that my weekday-job is in the way of improving or getting stuff done. You're the proof that I'm wrong. thanks. In a way I think I need my technical job too. It keeps me staight and sane and in touch with people who are not thinking of dragons, faeries, ghosts or space vessels all day.
Did you do Inktober?
Anyway, nice talking to you!!
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rachaelm5 In reply to JettieHier [2016-10-31 22:02:00 +0000 UTC]
It's nice to talk to you, too!
Nah, I am working on a large project that uses all my weekend time. I might try Sketchtember and Inktober next year.
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