Comments: 91
Marcysiabush [2007-01-16 14:35:32 +0000 UTC]
verry beautifull
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darkartificer [2007-01-11 13:12:23 +0000 UTC]
Oil pastels are evil, though you can work them a little with turpentine and linseed.
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hatefueled [2007-01-11 12:49:25 +0000 UTC]
thats a great one!
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ElphabaSoup [2007-01-10 18:32:44 +0000 UTC]
Hooray! More beautiful pastel work. Love the versatility.
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JonReynolds [2007-01-10 10:15:14 +0000 UTC]
Yes it does, adding light as opposed to shade it what happens for us to see things anyway, so it makes a more pleasing picture...in my eyes anyway.
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JonReynolds [2007-01-10 08:37:47 +0000 UTC]
Thanks for that. When I have tried pastels it has been with pastel pencils, simply because I like to try and get finer detail. But I am still a bit cautious with blending. I still work with hatching, even when using pastels. Old habit I guess...need to do some experimenting.
Your work is fantastic!
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Jumprabbit In reply to JonReynolds [2007-01-10 09:20:33 +0000 UTC]
thanks again.
I'm coming from a totally different angle, I have no idea how to hatch at all, so its blending or nothing for me.
I work pretty fast and fairly rough for the most part, then clean everything up at the end with pastel pencils and rubbing stuff out and what not..
I'm sure I mentioned it but I'm a HUGE fan of working on dark background..makes life so much easier
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floyd-n-milan [2007-01-10 06:25:21 +0000 UTC]
Thou rockest!
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pandainaforest [2007-01-09 04:11:04 +0000 UTC]
This is excellent!
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fretbender [2007-01-08 16:02:42 +0000 UTC]
I love how natural her hair appears to flow, very realistic.
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draunaturel In reply to Jumprabbit [2007-01-16 11:34:50 +0000 UTC]
oh. hehehe, simple..
kind of like the old movie were she says, "if you need me just whistle... you do know how to whistle don't you? you just put your lips together and blow."
i can't work that way... i, for the most part see hair as big blocks of value... and i build them up that way. and then go back and give it just enough texture or hairs to make it convincing... so that it doesn't look like a piece of meat or wood on top of her head.
thanks, one hair at a time... interesting.. i used to think i was pretty patient... i guess i am not.
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draunaturel In reply to Jumprabbit [2007-01-17 20:22:56 +0000 UTC]
well, i am glad you have a method... it is working for you.. it must be exciting to be able to cut the time spent in more than half...
as far as the trick of not thinking about finishing it is very true... if i worry about that i am always disappointed... lately i have been much more open about what is happening in a piece and i let it talk to me... when that happens i am very happy.
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Jumprabbit In reply to draunaturel [2007-01-19 02:57:19 +0000 UTC]
I do that to an extent I guess, but I'm pretty much a control freak with my major stuff.
I just posted a journal with a bunch of my life drawings (well 4), those I totally let talk to me..I quite like working that way at times.
The down side of pastels is I can get about $500 for them, while I get around $2000 for oils..so $$ wise it doesn't work out as well..but I liek it anyways
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draunaturel In reply to Jumprabbit [2007-01-22 02:25:21 +0000 UTC]
i dug seeing your quick work in your journal... very interesting.
well, the upside though is that you can sell them. that is very cool and i wish you all the best with that.
what bonus... to like what you do and be able to sell it.
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Jumprabbit In reply to draunaturel [2007-01-22 05:10:52 +0000 UTC]
well yeah it doesn't just happen...chasing sales is a pain in the butt to be honest..
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draunaturel In reply to Jumprabbit [2007-01-22 15:07:44 +0000 UTC]
i wish there was an easier way... it is way harder than the painting part of the process.
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draunaturel In reply to Jumprabbit [2007-01-23 12:01:44 +0000 UTC]
oh i pretty much understand marketing... yeah i do...
i just have some other issues with selling that i find nearly impossible to get past... i would gladly pay some one to do the selling for me... for me that process is just too challenging and can i say distasteful.
it is complicated... and knowing me i know that i am probably making it much more complicated than it really is.
hopeless...
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Jumprabbit In reply to draunaturel [2007-01-23 13:15:37 +0000 UTC]
hmmmmmmm I think nearly every artist feels the same way, allthough few would know anything about marketing.
Paying someone to sell for you is what galleries are all about if you can find a good one...
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draunaturel In reply to Jumprabbit [2007-01-23 19:10:09 +0000 UTC]
yep finding a good one is the problem...
so i continue to muddle through...
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Jumprabbit In reply to draunaturel [2007-01-25 09:01:08 +0000 UTC]
Indeed...I'm chasing charity shows at the moment...I will let you know how that works out.
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draunaturel In reply to Jumprabbit [2007-03-16 10:34:42 +0000 UTC]
prises are good... 1) they often help to sell the painting. (everyone loves a winner) and 2) if you don't sell the painting you got some money from it and you still have the painting to sell another day.
congrats.
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JonReynolds [2007-01-08 13:28:57 +0000 UTC]
Absolutely beautiful! I wish I could control pastels like this...please tell me how!!!
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odhal [2007-01-08 11:32:01 +0000 UTC]
Really excellent
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AnnaGilhespy [2007-01-08 08:11:28 +0000 UTC]
Yay! another pastel! you have a gift for it i think.
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